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  • Feb. 1, 1794
  • Page 32
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The Freemasons' Magazine, Feb. 1, 1794: Page 32

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    Article ANECDOTES OF THE LATE HUGH KELLY. ← Page 4 of 4
Page 32

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Anecdotes Of The Late Hugh Kelly.

Of the many manosuvres practised in the damnation of this piece , two appeared so truly novel , and at the same time so effective , as to deserve notice . The one Avas a set of laughers , a bod y composed of about a dozen persons planted near the orchestra , AA'ho , upon a signal given by their leader , burst out into a horse-laugh of contempt . The other Avas a set of yawneri in the middle of the pit , AA'ho Avere about

the same number , and under the same discipline . Between these two corps the main enemy was not only much galled , but a riumber of neutrals draAvn in , as it Avas difficult for such to restrain their risible faculties on so ridiculous and whimsical an occasion . " All for the best , " however , was a proverb which our Author felt the benefit of by the timely retractation of his comed . If Ave may

y judge from what could reach our ears the first and second night of its performance , it had little or no dramatic selection or character , and so abounded Avith common-place sentiment , that , in all probability , he would not have been much a gainer had it been left to its own fate ; but , printing it by subscription , he dreAv the humanity of the public to his side—every uninfluenced person saw the injustice of driving an

Author from the Stage , and wantonly robbing him and his family of the fair produce of his " talents . Subscriptions , on this account , became proportionally liberal and extensive , and he cleared no less on the whole , than the sum of ei ght hundred pounds , besides the profits of the sale after the general subscription Avas full . " The fate of " The Word to the Wise" operated as a hint to Kelly on his next dramatic attempt , which Avas a tragedy , called "

Clementina . " He knew , by late experience , that if he introduced it to the Stage under his own name , the same party who so unjustly damned his * ' Word to the Wise , " would have as little scruple on the present occasion ;—he therefore kept it a profound secret , and got it introduced into the Green Room of Covent Garden , as the first production of ayoung American Clergyman , who had not as yet arrived in England .

His patron , Colman , and a few confidential friends , perhaps knew the contrary , but this Avas the general report previous to the representation , and under this report " Clementina" came out on the boards of Govent Garden , in the Spring of 1771 . From a patient hearing of this piece , Ave Avere enabled fully todecide on its merits , Avhich , considering it ( as was then supposed ) the

first effort of a young pen , mig ht have some promise of greater perfection , but by no means had any sublime pretensions to " . purge the passions by terror and compassion . " Mrs . Yates performed the principal character , but though she supported it with her usual talents ; and that the rest of the play was as strongly cast as the house Avould admit , it lingered out its nine ni ghts , and then Avas heard no more .

Kelly , it is said , got two hundred pounds for the copy money of this tragedy previous to the publication , on no other stipulation than that of its running nine nights . HOAV he contrived to do this it is difficult to assert , except that he privately confessed himself to the purchaser as the author ; and that the former risqued such a sum on the credit of " False Delicacy . " . _ . [ To be concluded in our ntxtf \

“The Freemasons' Magazine: 1794-02-01, Page 32” Masonic Periodicals Online, Library and Museum of Freemasonry, 19 June 2025, django:8000/periodicals/fmm/issues/fmm_01021794/page/32/.
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Title Category Page
Untitled Article 1
LONDON: Article 1
ACKNOWLEDGMENTS TO CORRESPONDENTS. Article 2
THE FREEMASONS' MAGAZINE. OR GENERAL AND COMPLETE LIBRARY. Article 3
THE PRINCIPLES OF FREE MASONRY EXPLAINED. Article 11
JOHN COUSTOS, FOR FREEMASONRY, Article 19
A VIEW OF THE PROGRESS OF NAVIGATION. Article 22
ON THE PROPRIETY OF MAKING A WILL. Article 24
ANECDOTES OF THE LATE HUGH KELLY. Article 29
EXTRACT FROM AN ESSAY ON INSTINCT. Article 33
THE ORIGIN OF LITERARY JOURNALS. Article 35
LETTER Article 37
LETTER Article 38
ON MAN. Article 38
ON JEALOUSY. Article 40
ON YOUTHFUL COURAGE AND RESOLUTION. Article 41
INVASION. Article 42
ANECDOTES OF JAMES NORTHCOTE, ESQ. Article 48
SURPRIZING INGENUITY. Article 51
CURIOUS ACCOUNT OF THE PHYSICIANS OF ANCIENT EGYPT. Article 52
INSTANCE OF THE POWER OF MUSIC OVER ANIMALS. Article 53
PLAN OF EDUCATION. Article 53
TO THE EDITOR OF THE FREEMASONS' MAGAZINE. Article 56
REMARKS ON THE MUTABILITY OF FORTUNE. Article 57
LONDON CHARACTERIZED. Article 59
LITERARY INTELLIGENCE. Article 59
PARLIAMENTARY PROCEEDINGS. Article 60
STRICTURES ON PUBLIC AMUSEMENTS. Article 69
A CURIOUS FACT. Article 72
POETRY. Article 73
FREEMASON PROLOGUE. Article 74
PROLOGUE WRITTEN FOR THE YOUNG GENTLEMEN, Article 75
RURAL FELICITY: A POEM. Article 76
TO FRIENDSHIP. Article 77
IMPROMPTU Article 77
ON CONTENT. Article 78
ON AN INFANT Article 79
EPITAPH. Article 79
EPITAPH ON A NOBLE LADY. Article 79
FOREIGN AND DOMESTIC INTELLIGENCE. Article 80
Untitled Article 83
Untitled Article 83
Untitled Article 83
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Anecdotes Of The Late Hugh Kelly.

Of the many manosuvres practised in the damnation of this piece , two appeared so truly novel , and at the same time so effective , as to deserve notice . The one Avas a set of laughers , a bod y composed of about a dozen persons planted near the orchestra , AA'ho , upon a signal given by their leader , burst out into a horse-laugh of contempt . The other Avas a set of yawneri in the middle of the pit , AA'ho Avere about

the same number , and under the same discipline . Between these two corps the main enemy was not only much galled , but a riumber of neutrals draAvn in , as it Avas difficult for such to restrain their risible faculties on so ridiculous and whimsical an occasion . " All for the best , " however , was a proverb which our Author felt the benefit of by the timely retractation of his comed . If Ave may

y judge from what could reach our ears the first and second night of its performance , it had little or no dramatic selection or character , and so abounded Avith common-place sentiment , that , in all probability , he would not have been much a gainer had it been left to its own fate ; but , printing it by subscription , he dreAv the humanity of the public to his side—every uninfluenced person saw the injustice of driving an

Author from the Stage , and wantonly robbing him and his family of the fair produce of his " talents . Subscriptions , on this account , became proportionally liberal and extensive , and he cleared no less on the whole , than the sum of ei ght hundred pounds , besides the profits of the sale after the general subscription Avas full . " The fate of " The Word to the Wise" operated as a hint to Kelly on his next dramatic attempt , which Avas a tragedy , called "

Clementina . " He knew , by late experience , that if he introduced it to the Stage under his own name , the same party who so unjustly damned his * ' Word to the Wise , " would have as little scruple on the present occasion ;—he therefore kept it a profound secret , and got it introduced into the Green Room of Covent Garden , as the first production of ayoung American Clergyman , who had not as yet arrived in England .

His patron , Colman , and a few confidential friends , perhaps knew the contrary , but this Avas the general report previous to the representation , and under this report " Clementina" came out on the boards of Govent Garden , in the Spring of 1771 . From a patient hearing of this piece , Ave Avere enabled fully todecide on its merits , Avhich , considering it ( as was then supposed ) the

first effort of a young pen , mig ht have some promise of greater perfection , but by no means had any sublime pretensions to " . purge the passions by terror and compassion . " Mrs . Yates performed the principal character , but though she supported it with her usual talents ; and that the rest of the play was as strongly cast as the house Avould admit , it lingered out its nine ni ghts , and then Avas heard no more .

Kelly , it is said , got two hundred pounds for the copy money of this tragedy previous to the publication , on no other stipulation than that of its running nine nights . HOAV he contrived to do this it is difficult to assert , except that he privately confessed himself to the purchaser as the author ; and that the former risqued such a sum on the credit of " False Delicacy . " . _ . [ To be concluded in our ntxtf \

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