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  • Aug. 1, 1793
  • Page 19
  • ORATION ON MASONRY,
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The Freemasons' Magazine, Aug. 1, 1793: Page 19

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    Article ORATION ON MASONRY, ← Page 4 of 7 →
Page 19

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Oration On Masonry,

But o-ive M ASONRY once to exert her heaven-descended talents , even 111 ° realms like those;—let her rear the dwelling , and teach the lofty temple to emulate the clouds ;—see what a tram of Arts immediately enter , and join , in ample suite , to give their p " atron Architecture comp letion and glory !—Lo ! at their head , Sculpture with his animating chissel bids the forming marble breathe !—See Naturefairest tintswhile the

Paintino- with his vivid pencil steal ' s , o-lowiii * - canvas starts beneath his touch into beauty and life !—See the Ion ? labours of the loom ; the storied tapestry , and the rich wrouo-ht silk , emp loyed to decorate the habitation which every art and every exertion of the manufacturer and mechanic are busied to complete ! ,,, , ,, r- ¦ 1 J But not t \\ manual arts done attendhark!—through the finished

e : dome divine Music pours her soul-commanding sounds ; with her artful hand and finely-varied tones sweetly enforcing the lofty and instructive lessons of heaven-born Poesy . ' —which , whilst it wraps the delig hted mind in deep contemplation , g ives birth and being to those sage , those civil , those legislative and moral plans ; or , in one word , to all that round of speculative Masonry , which secures , adorns , and dignifies society ; and represents in strong contrast the savage , and the civilized man ! . .

Thus comprehensive is the noble Art we boast ; and such are the triumphs of Architecture alone , in whose ample grasp are contained such numberless benefits to human nature , and which may justly be deemed"tlre peculiar and favourite child of civilization , as well as the unerring mark and criterion of that civilization , and of the progress of the ° fine arts in every state . —Were I to proceed—or had I all science

assumed for my proof that wonderful , -informing on which Masonry is built ; nay , and which—proud Mistress of Arts ' . — issues forth her commanding laws , not only to those arts , but even to nature— even to nature ' s amplest round—the solar system itself : —had Geometry been my theme—the time would have failed me to have recounted even a part of that comprehensive extent and reach and know

of instruction;—that inexhaustedfund of information - ledge , of improvement and advantage , which it imparts to it ' s studious votaries . Happy votaries—adepts in true Masonry—ever the zealous and most ardent admirers of natural and moral beauty ! for they are especially sensible of the beauties of that world , which , amongst the intelligent Greeks , knew no other name . And well indeed mig ht be styled Koo- ^ o ? , essential " BEAUTY ;' , '—for it excels , at once , in all the regularity of order , the exactness of proportion , the ° -low of colouring , the force of expression , and the strength of

design . . 4 . But future and more extensive discussions of this high and entertaining theme may , perhaps , through your honourable sanction engage my pen * . For the present—after what hath been already

“The Freemasons' Magazine: 1793-08-01, Page 19” Masonic Periodicals Online, Library and Museum of Freemasonry, 12 June 2025, django:8000/periodicals/fmm/issues/fmm_01081793/page/19/.
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Title Category Page
THE FREEMASONS' MAGAZINE: OR, GENERAL AND COMPLETE LIBRARY. Article 1
LETTER II. From a Gentleman at PHILADELPHIA to his Friend in GLASCOW, on the Subject of FREE MASONRY. Article 3
OF COURAGE, FORTITUDE, and FEAR. Article 5
MEMOIRS OF THE FREEMASONS OF NAPLES. Article 8
A CHARGE DELIVERED TO THE FAITHFUL LODGE, No. 499, Article 11
ORATION ON MASONRY, Article 16
ESSAY ON STRIFE. Article 23
AN EASTERN NOVEL. Article 25
THE GENERAL HISTORY OF CHINA: Article 30
HISTORICAL DEDUCTION OF THE BRITISH DRAMA. Article 33
THE SPEECH OF COUNT T****, Article 36
TO THE PRINTER OF THE FREEMASONS' MAGAZINE. Article 38
REMARKS ON PULPIT AND BAR ORATORY. Article 38
COUNT LARGORYSKY. Article 39
THE PROPHECY OF SIBILLA TIBURTINA. Article 41
THE PROPHECY OF SIBILLA TIBURTINA ON OUR SAVIOUR. Article 43
CHARACTERS IN HARRY THE EIGHTH'S TIME. Article 44
OF ANIMALS LIVING IN SOLID BODIES. Article 46
MEMOIRS OF FRANCIS LORD RAWDON, Article 50
TO THE EDITOR OF THE FREEMASONS' MAGAZINE. Article 55
AN EXTRAORDINARY ANECDOTE OF GENERAL PUTNAM. Article 58
THE BASTILE OF SAXONY. Article 59
Untitled Article 61
AN ACCOUNT OF THE ROYAL CUMBERLAND FREEMASONS' SCHOOL. Article 62
THE CHARACTER OF SALADINE, Article 66
DESCRIPTION OF THE TERRESTRIAL CHRYSIPUS, Article 69
ON HAPPINESS. Article 72
STRICTURES ON PUBLIC AMUSEMENTS. Article 74
SADLER's WELLS. Article 75
DUNKIRK, NOW BESIEGED BY THE DUKE OF YORK. Article 76
MASONIC INTELLIGENCE. Article 77
POETRY. Article 80
SYMPATHY TO DELIA. Article 81
AN IMPROMPTU. Article 81
THE DESERTERS. A TALE. Article 82
A LETTER FROM A LADY DYING TO HER HUSBAND. Article 83
THE SWEETS OF FRIENDSHIP. Article 83
ACROSTIC. Article 83
FOREIGN OCCURRENCES. Article 84
MONTHLY CHRONICLE. Article 85
Untitled Article 87
Untitled Article 87
Untitled Article 87
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Oration On Masonry,

But o-ive M ASONRY once to exert her heaven-descended talents , even 111 ° realms like those;—let her rear the dwelling , and teach the lofty temple to emulate the clouds ;—see what a tram of Arts immediately enter , and join , in ample suite , to give their p " atron Architecture comp letion and glory !—Lo ! at their head , Sculpture with his animating chissel bids the forming marble breathe !—See Naturefairest tintswhile the

Paintino- with his vivid pencil steal ' s , o-lowiii * - canvas starts beneath his touch into beauty and life !—See the Ion ? labours of the loom ; the storied tapestry , and the rich wrouo-ht silk , emp loyed to decorate the habitation which every art and every exertion of the manufacturer and mechanic are busied to complete ! ,,, , ,, r- ¦ 1 J But not t \\ manual arts done attendhark!—through the finished

e : dome divine Music pours her soul-commanding sounds ; with her artful hand and finely-varied tones sweetly enforcing the lofty and instructive lessons of heaven-born Poesy . ' —which , whilst it wraps the delig hted mind in deep contemplation , g ives birth and being to those sage , those civil , those legislative and moral plans ; or , in one word , to all that round of speculative Masonry , which secures , adorns , and dignifies society ; and represents in strong contrast the savage , and the civilized man ! . .

Thus comprehensive is the noble Art we boast ; and such are the triumphs of Architecture alone , in whose ample grasp are contained such numberless benefits to human nature , and which may justly be deemed"tlre peculiar and favourite child of civilization , as well as the unerring mark and criterion of that civilization , and of the progress of the ° fine arts in every state . —Were I to proceed—or had I all science

assumed for my proof that wonderful , -informing on which Masonry is built ; nay , and which—proud Mistress of Arts ' . — issues forth her commanding laws , not only to those arts , but even to nature— even to nature ' s amplest round—the solar system itself : —had Geometry been my theme—the time would have failed me to have recounted even a part of that comprehensive extent and reach and know

of instruction;—that inexhaustedfund of information - ledge , of improvement and advantage , which it imparts to it ' s studious votaries . Happy votaries—adepts in true Masonry—ever the zealous and most ardent admirers of natural and moral beauty ! for they are especially sensible of the beauties of that world , which , amongst the intelligent Greeks , knew no other name . And well indeed mig ht be styled Koo- ^ o ? , essential " BEAUTY ;' , '—for it excels , at once , in all the regularity of order , the exactness of proportion , the ° -low of colouring , the force of expression , and the strength of

design . . 4 . But future and more extensive discussions of this high and entertaining theme may , perhaps , through your honourable sanction engage my pen * . For the present—after what hath been already

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