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  • Oct. 1, 1793
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  • STRICTURES ON PUBLIC AMUSEMENTS.
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The Freemasons' Magazine, Oct. 1, 1793: Page 74

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    Article STRICTURES ON PUBLIC AMUSEMENTS. ← Page 2 of 3 →
Page 74

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Strictures On Public Amusements.

Oct . 9 . At Covent Garden Theatre Shakspere ' s Tragedy of HAM-¦ iH T was exhibited in as tyle altogether new , but with a degree of attention and splendour that reflected the highest credit on theJVIa nager . The characters were all dressed in rich and appropriate fashion , and in a manner suited to the custom of the country where the action of the play is laid . The scenery also was selected with tisteand so adapted as to give the whole representation an air of

, great propriety and magnificence . The play was got up in order to introduce Miss POOLE ( a Lady whose vocal powers have been for some time known-to the Public ) , to the stage , in the character of Ophelia , which her figure , as well as vocal talents , rendered extremely proper to make the subject her entre . Considering her as a theatrical novice , she played the

scenes antecedent to her madness in a promising manner . She must correct a little redundancy of action with her hands , and , with practice , she may soon become a very respectable performer . In the scenes in which she is under the influence of a deranged mind , her singing had a powerful effect , especially in the old song of Mad Bess , which , though somewhat too long for the stage , during the progress of a play , was listened to not only with patience , but

pleasure . She sung it admirably . Among the novelties of the night was an alteration of the manner pf introducing and exhibiting the two portraits alluded to so finely by Hamlet , in his remonstrance scene with his mother . The figure of the poisoned Prince , the former King of Denmark , and precedent Lord of Gertrude , was presented in a half-length painting , as large as lifehung over the chimney of the Queen ' s chamber or closetand

, , she wore a large sized miniature of her existing husband , as a bracelet , on her arm . This certainly was an improvement , and much more natural and affecting than the old method of Hamlet ' s drawing two portraits in small out of his waistcoat pocket , which gave the whole the appearance of a studied device on the part of Hamlet , and by no means conveyed the beautiful and interesting effect of

his being provoked to the comparison by an accidental sight of the two portraits in the same room . Another addition to the representation was a solemn dirge , finely composed by Mr . Shields , and introduced in the fifth act . We repeat that the exhibition of the play was such as did infinite credit to the Theatre , and we hope we shall be treated with some more of Shakspere ' s p lays got up with as much care , and produced with equal elegance and improvement in the state of their representation .

“The Freemasons' Magazine: 1793-10-01, Page 74” Masonic Periodicals Online, Library and Museum of Freemasonry, 3 June 2025, django:8000/periodicals/fmm/issues/fmm_01101793/page/74/.
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Title Category Page
Untitled Article 1
LONDON: Article 1
ACKNOWLEDGMENTS TO CORRESPONDENTS. Article 2
THE FREEMASONS' 'MAGAZINE: OR, GENERAL AND COMPLETE LIBRARY. Article 3
THE LIGHT AND TRUTH OF MASONRY EXPLAINED, BEING THE SUBSTANCE OF A CHARGE Article 8
TO THE PRINTER OF THE FREEMASONS' MAGAZINE. Article 11
ANECDOTES OF DR. GOLDSMITH. Article 13
THOUGHTS ON THE FOUNDERING OF SHIPS. Article 19
SIR PETER PARKER, BART. D.G.M. Article 20
SKETCH OF THE LIFE OF THOMAS DUNCKERLEY, ESQ. P.G.M. Article 23
ANECDOTE OF M. DE MONTESQUIEU. Article 28
TO THE PRINTER OF THE FREEMASONS' MAGAZINE. Article 29
Untitled Article 29
THE FREEMASONS' MAGAZINE, Article 32
Untitled Article 33
FAITH. Article 34
MERMAIDS NOT FABULOUS, Article 35
ON THE DISCIPLINE OF THE UNIVERSITY. Article 41
INSTANCE OF THE SEVERITY OF THE PENAL LAWS Article 43
ON THE BENEFITS OF LITERATURE. Article 45
A VIEW OF THE PROGRESS OF NAVIGATION. Article 47
THE GENERAL HISTORY OF CHINA: Article 51
A PICTURE OF PIETY AND ŒCONOMY. Article 56
ANTIENT CHARTERS. Article 58
ON FRIENDSHIP. Article 60
Untitled Article 62
COMMENTS ON STERNE. Article 63
DR. JOHN HUNTER, THE LATE JUSTLY CELEBRATED ANATOMIST. Article 68
TRAITS IN THE LIFE OF THE LATE UNFORTUNATE QUEEN OF FRANCE. Article 70
STRICTURES ON PUBLIC AMUSEMENTS. Article 73
POETRY. Article 76
THE FORSAKEN FAIR. Article 78
TO THE PRINTER OF THE FREEMASONS' MAGAZINE. Article 79
THE QUEEN OF FRANCE's LAMENTATION, BEFORE HER EXECUTION. Article 80
FOREIGN OCCURRENCES. Article 81
MONTHLY CHRONICLE. Article 82
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Page 74

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Strictures On Public Amusements.

Oct . 9 . At Covent Garden Theatre Shakspere ' s Tragedy of HAM-¦ iH T was exhibited in as tyle altogether new , but with a degree of attention and splendour that reflected the highest credit on theJVIa nager . The characters were all dressed in rich and appropriate fashion , and in a manner suited to the custom of the country where the action of the play is laid . The scenery also was selected with tisteand so adapted as to give the whole representation an air of

, great propriety and magnificence . The play was got up in order to introduce Miss POOLE ( a Lady whose vocal powers have been for some time known-to the Public ) , to the stage , in the character of Ophelia , which her figure , as well as vocal talents , rendered extremely proper to make the subject her entre . Considering her as a theatrical novice , she played the

scenes antecedent to her madness in a promising manner . She must correct a little redundancy of action with her hands , and , with practice , she may soon become a very respectable performer . In the scenes in which she is under the influence of a deranged mind , her singing had a powerful effect , especially in the old song of Mad Bess , which , though somewhat too long for the stage , during the progress of a play , was listened to not only with patience , but

pleasure . She sung it admirably . Among the novelties of the night was an alteration of the manner pf introducing and exhibiting the two portraits alluded to so finely by Hamlet , in his remonstrance scene with his mother . The figure of the poisoned Prince , the former King of Denmark , and precedent Lord of Gertrude , was presented in a half-length painting , as large as lifehung over the chimney of the Queen ' s chamber or closetand

, , she wore a large sized miniature of her existing husband , as a bracelet , on her arm . This certainly was an improvement , and much more natural and affecting than the old method of Hamlet ' s drawing two portraits in small out of his waistcoat pocket , which gave the whole the appearance of a studied device on the part of Hamlet , and by no means conveyed the beautiful and interesting effect of

his being provoked to the comparison by an accidental sight of the two portraits in the same room . Another addition to the representation was a solemn dirge , finely composed by Mr . Shields , and introduced in the fifth act . We repeat that the exhibition of the play was such as did infinite credit to the Theatre , and we hope we shall be treated with some more of Shakspere ' s p lays got up with as much care , and produced with equal elegance and improvement in the state of their representation .

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