Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Freemasons' Magazine
  • Oct. 1, 1797
  • Page 75
  • OBITUARY.
Current:

The Freemasons' Magazine, Oct. 1, 1797: Page 75

  • Back to The Freemasons' Magazine, Oct. 1, 1797
  • Print image
  • Articles/Ads
    Article OBITUARY. ← Page 4 of 4
Page 75

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Obituary.

various plans suggested by him . for the improvement of the town of Cambridge . He was well known in the literary world for his ' Essay on the Learning of Shakspeare , addressed to Joseph Cradock , Esq . 1776 , ' which has been four times printed , viz . 1766 , 1767 , 1789 ,

and ( in Mr . Steeven ' s complete edition of the great Dramatic Bard ) 1793 . Two letters of Dr . Johnson to Dr . Far- , mer are preserved in Boswell ' s Life ; the one , in 1770 , requesting ( for Mr . Steevens and himself ) such information concerning Shakspeare as Dr . F . was ' more able to give than any other

man ; ' the other , in 1780 , soliciting information concerning ' Ambrose i'hilips , Broome , and Gray , who were all of Cambridge ; and of whose lives he was to give such accounts as he could gather . ' In 1765 he announced his intention of publishing the ' History

and Antiquities of the Town of Leicester ; ' but , in his letter to Mr . Cradock on a more favourite subject , laments that ' he had been persuaded into that employment .- ' [ ' Though I have as much , ' he says , ' of the nalale solum about me as any man w ha 'so ever , yet , I own , the

primrose path is still more pleasing than the posse or the Walling-slrecl : ' Agecannotwitherit , norcusfomstale Its infinite variety . ' And , when I am fairly rid of the dust of topographical antiquity , which hath continued much longer about me than I expectedyou may very probably be

, troubled again with the ever-fruitful subject of Shakspeare ancl his Commentators . ' ] After having printed only four pages of his History , he relinquished it , returned the subscriptions , and presented his Leicester MSS . and plates to Mr .

Nichois . Dr . Fanner ' s knowledge was various , extensive , and recondite ; audit is to be regretted that he never concentrated and exerted all the great powers of his mind on some great and important subject ; in quickness of apprehension , and acuteness of discrimination , he had

few equals ; without the smallest propensity to avarice , he possessed a large income ; and without the mean submission of dependence , he rose to a high station ; ever liberal in patronizing learned men , and forward in promoting learned publications ; his ambition , if ne hacl a » J ' - was without

insolence , his munificence Without oslenta * tion , his wit without acrimony , and his learning without pedantry . There is a large . and very fine portrait of him by J . Jones ; and . a small one in Mr . Malone ' s edition of Shakspeare . ¦ At his house in Derby , aged 63 ,

Joseph Wright , Esq . long esteemed throughout Europe as a chaste and elegant painter . He was a pupil of Hudson , who instructed tliree of the most eminent painters of the age , viz . Sir Joshua Reynolds , Mr . Wright , and Mr . Mortimer . Mr . W ' s early historical ictures be considered as the first

p may valuable productions of the English school ; because , at the time his Gladiator , Orrery , Air-pump , Hermit , and Blacksmith ' s Forge , were painted , nothing , of any consequence , hacl been produced in the historical line . His attention was afterwards directed , for some to portrait paintingin which

years , , he would have excelled , hacl he chosen to , pursue it . At a mature age he visited Italy . His-fine drawings afler Michael Angelo , and the enthusiasm with which healwaysspokeofthe sublime original , evinced the estimation in which he held them ; and they may be considered

such as have never yet been exhibited to the public . During his abode in Italy he had an opportunity of seeing a very memorable eruption of Vesuvius , which rekindled his inclination for painting extraordinary effects of light ; and his different pictures of this sublime event stand ' - ' decidedly chef d ' auvres in

that lineof painting . A large landscape ( his last work ) now at Derby , being a view of Ullswater , mav be considered his best , and deservedly ranked with the most valuable productions of Wilson , or even Claude himself . , ln the historical line , the Dead Soldier would alone establish his fame , if his

Edwin , his Destruction of the Floatingbatteries off Gibraltar , the two pictuies of Hero and Leander , the Lady in Connis , the Indian Widow , and other historical subjects , had not already ascertained his excellence . His pictures have been so much in request that there is scarcely an instance of their ever

having come into the hands of dealers . 11 is with pleasure we record that the world has not been unmindful of his extraordinary talents ; and also , that , as a man , he enjoyed the friendship and esteem of all who had the happiness , of his acquaintance .

“The Freemasons' Magazine: 1797-10-01, Page 75” Masonic Periodicals Online, Library and Museum of Freemasonry, 24 June 2025, django:8000/periodicals/fmm/issues/fmm_01101797/page/75/.
  • List
  • Grid
Title Category Page
Untitled Article 1
Untitled Article 2
LONDON: Article 2
Untitled Article 3
THE LIFE OF DAVID GARRICK, ESQ. Article 4
SlNGULAR CUSTOM IN DEVONSHIRE. Article 9
WEST INDIA CRUELTY. Article 9
A REVIEW OF THE LIFE AND WRITINGS OF THE RIGHT HONOURABLE EDMUND BURKE. Article 10
HISTORY OF THE SCIENCES FOR 1797. Article 16
DESCRIPTION OF THE PEAK OF TENERIFFE. Article 18
ON THE PECULIAR EXCELLENCIES OF HANDEL'S MUSIC. Article 20
THE COLLECTOR. Article 22
THE FREEMASONS' REPOSITORY. Article 27
ON THE MASONIC CHARACTER. Article 35
A VINDICATION OF MASONRY. Article 37
REVIEW OF NEW PUBLICATIONS. Article 42
POETRY. Article 50
REPORT OF THE PROCEEDINGS OF THE BRITISH PARLIAMENT. Article 54
HOUSE OF COMMONS. Article 55
MONTHLY CHRONICLE. Article 62
OBITUARY. Article 72
Page 1

Page 1

1 Article
Page 2

Page 2

2 Articles
Page 3

Page 3

1 Article
Page 4

Page 4

1 Article
Page 5

Page 5

1 Article
Page 6

Page 6

1 Article
Page 7

Page 7

1 Article
Page 8

Page 8

1 Article
Page 9

Page 9

2 Articles
Page 10

Page 10

1 Article
Page 11

Page 11

1 Article
Page 12

Page 12

1 Article
Page 13

Page 13

1 Article
Page 14

Page 14

1 Article
Page 15

Page 15

1 Article
Page 16

Page 16

2 Articles
Page 17

Page 17

1 Article
Page 18

Page 18

1 Article
Page 19

Page 19

1 Article
Page 20

Page 20

2 Articles
Page 21

Page 21

1 Article
Page 22

Page 22

1 Article
Page 23

Page 23

1 Article
Page 24

Page 24

1 Article
Page 25

Page 25

1 Article
Page 26

Page 26

1 Article
Page 27

Page 27

1 Article
Page 28

Page 28

1 Article
Page 29

Page 29

1 Article
Page 30

Page 30

1 Article
Page 31

Page 31

1 Article
Page 32

Page 32

1 Article
Page 33

Page 33

1 Article
Page 34

Page 34

1 Article
Page 35

Page 35

1 Article
Page 36

Page 36

1 Article
Page 37

Page 37

1 Article
Page 38

Page 38

1 Article
Page 39

Page 39

1 Article
Page 40

Page 40

1 Article
Page 41

Page 41

1 Article
Page 42

Page 42

1 Article
Page 43

Page 43

1 Article
Page 44

Page 44

1 Article
Page 45

Page 45

1 Article
Page 46

Page 46

1 Article
Page 47

Page 47

1 Article
Page 48

Page 48

1 Article
Page 49

Page 49

1 Article
Page 50

Page 50

1 Article
Page 51

Page 51

1 Article
Page 52

Page 52

1 Article
Page 53

Page 53

1 Article
Page 54

Page 54

1 Article
Page 55

Page 55

2 Articles
Page 56

Page 56

1 Article
Page 57

Page 57

1 Article
Page 58

Page 58

1 Article
Page 59

Page 59

1 Article
Page 60

Page 60

1 Article
Page 61

Page 61

1 Article
Page 62

Page 62

1 Article
Page 63

Page 63

1 Article
Page 64

Page 64

1 Article
Page 65

Page 65

1 Article
Page 66

Page 66

1 Article
Page 67

Page 67

1 Article
Page 68

Page 68

1 Article
Page 69

Page 69

1 Article
Page 70

Page 70

1 Article
Page 71

Page 71

1 Article
Page 72

Page 72

1 Article
Page 73

Page 73

1 Article
Page 74

Page 74

1 Article
Page 75

Page 75

1 Article
Page 75

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Obituary.

various plans suggested by him . for the improvement of the town of Cambridge . He was well known in the literary world for his ' Essay on the Learning of Shakspeare , addressed to Joseph Cradock , Esq . 1776 , ' which has been four times printed , viz . 1766 , 1767 , 1789 ,

and ( in Mr . Steeven ' s complete edition of the great Dramatic Bard ) 1793 . Two letters of Dr . Johnson to Dr . Far- , mer are preserved in Boswell ' s Life ; the one , in 1770 , requesting ( for Mr . Steevens and himself ) such information concerning Shakspeare as Dr . F . was ' more able to give than any other

man ; ' the other , in 1780 , soliciting information concerning ' Ambrose i'hilips , Broome , and Gray , who were all of Cambridge ; and of whose lives he was to give such accounts as he could gather . ' In 1765 he announced his intention of publishing the ' History

and Antiquities of the Town of Leicester ; ' but , in his letter to Mr . Cradock on a more favourite subject , laments that ' he had been persuaded into that employment .- ' [ ' Though I have as much , ' he says , ' of the nalale solum about me as any man w ha 'so ever , yet , I own , the

primrose path is still more pleasing than the posse or the Walling-slrecl : ' Agecannotwitherit , norcusfomstale Its infinite variety . ' And , when I am fairly rid of the dust of topographical antiquity , which hath continued much longer about me than I expectedyou may very probably be

, troubled again with the ever-fruitful subject of Shakspeare ancl his Commentators . ' ] After having printed only four pages of his History , he relinquished it , returned the subscriptions , and presented his Leicester MSS . and plates to Mr .

Nichois . Dr . Fanner ' s knowledge was various , extensive , and recondite ; audit is to be regretted that he never concentrated and exerted all the great powers of his mind on some great and important subject ; in quickness of apprehension , and acuteness of discrimination , he had

few equals ; without the smallest propensity to avarice , he possessed a large income ; and without the mean submission of dependence , he rose to a high station ; ever liberal in patronizing learned men , and forward in promoting learned publications ; his ambition , if ne hacl a » J ' - was without

insolence , his munificence Without oslenta * tion , his wit without acrimony , and his learning without pedantry . There is a large . and very fine portrait of him by J . Jones ; and . a small one in Mr . Malone ' s edition of Shakspeare . ¦ At his house in Derby , aged 63 ,

Joseph Wright , Esq . long esteemed throughout Europe as a chaste and elegant painter . He was a pupil of Hudson , who instructed tliree of the most eminent painters of the age , viz . Sir Joshua Reynolds , Mr . Wright , and Mr . Mortimer . Mr . W ' s early historical ictures be considered as the first

p may valuable productions of the English school ; because , at the time his Gladiator , Orrery , Air-pump , Hermit , and Blacksmith ' s Forge , were painted , nothing , of any consequence , hacl been produced in the historical line . His attention was afterwards directed , for some to portrait paintingin which

years , , he would have excelled , hacl he chosen to , pursue it . At a mature age he visited Italy . His-fine drawings afler Michael Angelo , and the enthusiasm with which healwaysspokeofthe sublime original , evinced the estimation in which he held them ; and they may be considered

such as have never yet been exhibited to the public . During his abode in Italy he had an opportunity of seeing a very memorable eruption of Vesuvius , which rekindled his inclination for painting extraordinary effects of light ; and his different pictures of this sublime event stand ' - ' decidedly chef d ' auvres in

that lineof painting . A large landscape ( his last work ) now at Derby , being a view of Ullswater , mav be considered his best , and deservedly ranked with the most valuable productions of Wilson , or even Claude himself . , ln the historical line , the Dead Soldier would alone establish his fame , if his

Edwin , his Destruction of the Floatingbatteries off Gibraltar , the two pictuies of Hero and Leander , the Lady in Connis , the Indian Widow , and other historical subjects , had not already ascertained his excellence . His pictures have been so much in request that there is scarcely an instance of their ever

having come into the hands of dealers . 11 is with pleasure we record that the world has not been unmindful of his extraordinary talents ; and also , that , as a man , he enjoyed the friendship and esteem of all who had the happiness , of his acquaintance .

  • Prev page
  • 1
  • 74
  • You're on page75
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy