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  • The Masonic Mirror
  • July 1, 1855
  • Page 8
  • FREEMASONRY IN ENGLAND.
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The Masonic Mirror, July 1, 1855: Page 8

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    Article FREEMASONRY IN ENGLAND. ← Page 6 of 7 →
Page 8

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Freemasonry In England.

The reader s desk , which is at some distance from the pulpit , is in an enclosure of brass rails , gilt . In this is a gilt brass pillar , supporting an eagle of brass , gilt , which holds the book on his back and expanded wings . . The altar piece is adorned by four noble fluted pilasters , painted and veined with gold in imitation of lapis lazuli , and their capitals are double gilt . In the intercoluminations are nine marble pannels . The table is covered with crimson figured velvet , and above are six windows in two

series . The floor of the choir and the whole of the church is paved with marble , except that part within the altar , which is o ! porphory polished , and laid in several geometrial figures . And referring to the general geometrical arrangement , we may observe , that as the disposition of the vaultings within is an essential beauty ,

without which many other ornaments would lose their effect , so our Deputy Gvand Master was particularly careful in this respect . "The Romans , " says the author of the Parentalia , " used heinisphirical vaultings ; and Sir Christopher chose those as being demonstrably lighter than the diagonal cross vaults , so the whole vault of St . Paul ' s consists of twentyfour cupolas cut semicircular , with segments to join to the great arches

one way , and which are cut across the other with cliptical cylinders to let in the upper lights of the nave ; but in the aisles the lesser cupolas are both ways cut in semicircular sections , and altogether make a graceful geometrical form distinguished with circular wreaths , which is the horizontal section of the cupola , for the hemisphere may be cut in all manner of ways into circular sections ; and the arches and wreaths being of stone carved , and the spandrels between them of sound brick , invested with stucco of cockle-shell lime , which becomes as hard as Portland stone ,

and which having large planes between the stone ribs , are capable of the further adornments of painting if required . " Besides these twenty-four cupolas , there is a half cupola at the east , and the great cupola of one hundred and eight feet in diameter at the middle of the crossing of the great aisles . In this the architect imitated the Pantheon at Rome , excepting that the upper order is there only

umbratile , and distinguished by different-coloured marbles ; in St . Paul ' s it is extant out of the wall . The Pantheon is no higher within than its diameter ; St . Peter ' s is two diameters ; this shows too high , the other too low . St . Paul ' s is a mean proportion between both , which shews its concave every way , and is very lightsome by the windows of the upper order , which strike down light through . the great colonade that encircles

the dome without , and serves for the abutment of the dome , which is brick , of two bricks thick ; but as it rises every way five feet high , has a course of excellent brick of eighteen inches long banding through the whole thickness ; and moreover to make it still more secure , it is surrounded with a vast chain of iron , strongly linked together at every ten feet . This chain is let into a channel cut into the bandage of

Portland stone , and defended from the weather b y filling the groovewith lead . " The concave was turned upon a centre , ivhich was judged necessary

“The Masonic Mirror: 1855-07-01, Page 8” Masonic Periodicals Online, Library and Museum of Freemasonry, 7 June 2025, django:8000/periodicals/mir/issues/mmg_01071855/page/8/.
  • List
  • Grid
Title Category Page
MARK MASONRY. Article 1
THE GIRLS' SCHOOL. Article 2
FREEMASONRY IN ENGLAND. Article 3
MASONIC REMINISCENCES. Article 10
BROTHERLY LOVE. Article 15
MASONIC INTELLIGENCE. Article 23
PROVINCIAL LODGES. Article 29
ROYAL ARCH. Article 51
THE COLONIES. Article 52
CORRESPONDENCE. Article 53
SUMMARY OF NEWS FOR JUNE. Article 55
OBITUARY. Article 58
TO CORRESPONDENTS. Article 59
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Freemasonry In England.

The reader s desk , which is at some distance from the pulpit , is in an enclosure of brass rails , gilt . In this is a gilt brass pillar , supporting an eagle of brass , gilt , which holds the book on his back and expanded wings . . The altar piece is adorned by four noble fluted pilasters , painted and veined with gold in imitation of lapis lazuli , and their capitals are double gilt . In the intercoluminations are nine marble pannels . The table is covered with crimson figured velvet , and above are six windows in two

series . The floor of the choir and the whole of the church is paved with marble , except that part within the altar , which is o ! porphory polished , and laid in several geometrial figures . And referring to the general geometrical arrangement , we may observe , that as the disposition of the vaultings within is an essential beauty ,

without which many other ornaments would lose their effect , so our Deputy Gvand Master was particularly careful in this respect . "The Romans , " says the author of the Parentalia , " used heinisphirical vaultings ; and Sir Christopher chose those as being demonstrably lighter than the diagonal cross vaults , so the whole vault of St . Paul ' s consists of twentyfour cupolas cut semicircular , with segments to join to the great arches

one way , and which are cut across the other with cliptical cylinders to let in the upper lights of the nave ; but in the aisles the lesser cupolas are both ways cut in semicircular sections , and altogether make a graceful geometrical form distinguished with circular wreaths , which is the horizontal section of the cupola , for the hemisphere may be cut in all manner of ways into circular sections ; and the arches and wreaths being of stone carved , and the spandrels between them of sound brick , invested with stucco of cockle-shell lime , which becomes as hard as Portland stone ,

and which having large planes between the stone ribs , are capable of the further adornments of painting if required . " Besides these twenty-four cupolas , there is a half cupola at the east , and the great cupola of one hundred and eight feet in diameter at the middle of the crossing of the great aisles . In this the architect imitated the Pantheon at Rome , excepting that the upper order is there only

umbratile , and distinguished by different-coloured marbles ; in St . Paul ' s it is extant out of the wall . The Pantheon is no higher within than its diameter ; St . Peter ' s is two diameters ; this shows too high , the other too low . St . Paul ' s is a mean proportion between both , which shews its concave every way , and is very lightsome by the windows of the upper order , which strike down light through . the great colonade that encircles

the dome without , and serves for the abutment of the dome , which is brick , of two bricks thick ; but as it rises every way five feet high , has a course of excellent brick of eighteen inches long banding through the whole thickness ; and moreover to make it still more secure , it is surrounded with a vast chain of iron , strongly linked together at every ten feet . This chain is let into a channel cut into the bandage of

Portland stone , and defended from the weather b y filling the groovewith lead . " The concave was turned upon a centre , ivhich was judged necessary

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