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  • The Masonic Magazine
  • March 1, 1876
  • Page 45
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The Masonic Magazine, March 1, 1876: Page 45

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    Article NOTES ON LITERATURE, SCIENCE AND ART. ← Page 6 of 6
    Article NOTES ON LITERATURE, SCIENCE AND ART. Page 6 of 6
    Article THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Page 1 of 3 →
Page 45

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Notes On Literature, Science And Art.

O'er naked Snowdon ' s wide aerial waste ; Long as the thrush shall pipe on Grongar Hill !" This is high praise from so true a brother-bard , and more than compensates for Dr . Johnson ' s somewhat churlish

criticism ; who , because the poem never became popular ( as Grongar H ill , from the same pen , did , ancl still retains its popularity ) , and because it was then " universally neglected , " could " say little that was likely to recall it to attention . " Indeed , " the

wooleomber ancl the poet " appeared to the great lexicographer " such discordant natures , that an attempt to bring them together" seemed to him as unnatural as "to couple the serpent ici ' . h the fold . ' ' The italics are Johnson ' s own , proving that he

considered he was uttering a very fine thing ; but in my own opinion nothing in " The Fleece " is more inelegant or far-fetched . He admits that Dyer ' s " mind was not uupoetical , " but adds , that when he '' has done bis utmost , by interesting bis reader in our native commodity , by interspersing rural imagery , and

incidental digressions , by clothing small images in great words , and by all the writer ' s arts of delusion , the meanness naturally adhering , and the irreverence habitually annexed to trade and commerce , sink him under insuperable oppression ; ancl the disgust which blank verseencumbering

, ancl encumbered , superadds to an unpleasing subject , soon repels the reader , however willing to be pileased . " But the great literary bear is honest enough to report what certainly " may counterbalance this weight of censure" viz . the

, more poetical Akenside ' s remark , " that he would regulate his opinion of the reigning taste by the fate of Dyer ' s ' Fleece ; ' for , if that were ill-received , he should not think it any longer reasonable to expect fame from excellence . " And yet Johnson

thought " some passages" in Dyer ' s " Ruins of Rome " were " conceived with the mind of a poet ; " and , with all his faults to "Grongar Hill , " admitted that " when it is once read , it will be read again . " The critic who wittily told Dodslev that the author of "The Fleece "

would be " buried in woollen" might be true as to the corpse of the bard , but not as regards his poems ; and perhaps both him and Johnson would equally have

Notes On Literature, Science And Art.

condemned to the fire the manuscript of Virgil ' s " Georgics " or of Hesiod ' s " Works and Days , " if they had been sitting in judgment upon them as new productions . But a hundred and eig hteen years after the death of good John Dyer , his lineal

representative , Mr . W . H . Dyer Longstaffe , has requested a well-qualified brother-clergyman of the bard , the Rev . A . B . Grosart , of Park View , Blackburn , to prepare a collected and corrected edition of his poems , with Portrait and Memoirautotypes of

, examples of his paintings , drawings , etc ., of which only a limited number of impressions will be published , ancl which will become the standard edition of Dyer . Rose Cottage , Slokesley .

The Origin And References Of The Hermesian Spurious Freemasonry.

THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY .

BY REV . GEO . OLIVER , D . D . CHAPTER VI , THE TABLET OR TRACING BOARD . "Reminiscere quoniam es initiatus , quEtradan , tur mysteriis ; turn denique quam hoc late pateat 1

intelliges . '—CICEBO . WE now come to the consideration of the Tracing Board on which are embodied many of the secret doctrines of the Spurious Freemasonry . The Tablet isof a square form , which was one of the emblems of the deity , and was peculiarly sacred to Hermes Trismegistus who was sometimes venerated

under the form of a square stone . * Suidas says that stones . were placed at the porches of doors ancl temples in Athens , which were of a square or cubical form ; because as Mercury was considered to be the god of eloquence ancl-truth , these stones were

an appropriate symbol , for , in common with truth , on what side soever they are viewed they always appear the same . Many of the heathen deities were represented by a stone , and with reverence be it spoken , the Messiah of the Jews was

described under the same symbol . f Moses asks the Israelites , on their emancipation from Egyptian bondage , " Where are their gods , their rock in whom they trusted ; svhich did eat the fat of their sacrifices , and

“The Masonic Magazine: 1876-03-01, Page 45” Masonic Periodicals Online, Library and Museum of Freemasonry, 25 May 2025, django:8000/periodicals/mmg/issues/mmg_01031876/page/45/.
  • List
  • Grid
Title Category Page
Monthly Masonic Summary. Article 1
THE INSTALLATION OF H.R.H. PRINCE LEOPOLD AS P.G.M OF OXFORDSHIRE. Article 1
THE SECOND MINUTE BOOK OF THE LODGE OF INDUSTRY, GATESHEAD. Article 4
TREED BY A TIGER. Article 5
DOES THE EARTH RECEIVE HEAT FROM THE SUN? Article 7
WHAT HAPPENED AT A CHRISTMAS GATHERING. Article 10
THE ARMAGH BELLS. Article 13
GODFREY HIGGINS ON FREEMASONRY. Article 13
THE ALBERT CHAPEL AT WINDSOR.* Article 17
SHALL MASONRY BE? Article 18
TO MY OLD APRON. Article 21
1876. PAST, PRESENT, AND FUTURE. Article 22
THE WOMEN OF OUR TIME. Article 23
FREEMASONRY IN PERU. Article 25
AN INTERESTING EVENT. Article 26
A FUNERAL LODGE. Article 27
CONTEMPORARY LETTERS ON THE FRENCH REVOLUTION. Article 30
SONNET. Article 34
THE SITE OF SOLOMON'S TEMPLE DISCOVERED. Article 35
SONNET. Article 39
NOTES ON LITERATURE, SCIENCE AND ART. Article 40
THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Article 45
SONNET. Article 47
THE MEANING AND DERIVATION OF SYMBOL. Article 47
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Notes On Literature, Science And Art.

O'er naked Snowdon ' s wide aerial waste ; Long as the thrush shall pipe on Grongar Hill !" This is high praise from so true a brother-bard , and more than compensates for Dr . Johnson ' s somewhat churlish

criticism ; who , because the poem never became popular ( as Grongar H ill , from the same pen , did , ancl still retains its popularity ) , and because it was then " universally neglected , " could " say little that was likely to recall it to attention . " Indeed , " the

wooleomber ancl the poet " appeared to the great lexicographer " such discordant natures , that an attempt to bring them together" seemed to him as unnatural as "to couple the serpent ici ' . h the fold . ' ' The italics are Johnson ' s own , proving that he

considered he was uttering a very fine thing ; but in my own opinion nothing in " The Fleece " is more inelegant or far-fetched . He admits that Dyer ' s " mind was not uupoetical , " but adds , that when he '' has done bis utmost , by interesting bis reader in our native commodity , by interspersing rural imagery , and

incidental digressions , by clothing small images in great words , and by all the writer ' s arts of delusion , the meanness naturally adhering , and the irreverence habitually annexed to trade and commerce , sink him under insuperable oppression ; ancl the disgust which blank verseencumbering

, ancl encumbered , superadds to an unpleasing subject , soon repels the reader , however willing to be pileased . " But the great literary bear is honest enough to report what certainly " may counterbalance this weight of censure" viz . the

, more poetical Akenside ' s remark , " that he would regulate his opinion of the reigning taste by the fate of Dyer ' s ' Fleece ; ' for , if that were ill-received , he should not think it any longer reasonable to expect fame from excellence . " And yet Johnson

thought " some passages" in Dyer ' s " Ruins of Rome " were " conceived with the mind of a poet ; " and , with all his faults to "Grongar Hill , " admitted that " when it is once read , it will be read again . " The critic who wittily told Dodslev that the author of "The Fleece "

would be " buried in woollen" might be true as to the corpse of the bard , but not as regards his poems ; and perhaps both him and Johnson would equally have

Notes On Literature, Science And Art.

condemned to the fire the manuscript of Virgil ' s " Georgics " or of Hesiod ' s " Works and Days , " if they had been sitting in judgment upon them as new productions . But a hundred and eig hteen years after the death of good John Dyer , his lineal

representative , Mr . W . H . Dyer Longstaffe , has requested a well-qualified brother-clergyman of the bard , the Rev . A . B . Grosart , of Park View , Blackburn , to prepare a collected and corrected edition of his poems , with Portrait and Memoirautotypes of

, examples of his paintings , drawings , etc ., of which only a limited number of impressions will be published , ancl which will become the standard edition of Dyer . Rose Cottage , Slokesley .

The Origin And References Of The Hermesian Spurious Freemasonry.

THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY .

BY REV . GEO . OLIVER , D . D . CHAPTER VI , THE TABLET OR TRACING BOARD . "Reminiscere quoniam es initiatus , quEtradan , tur mysteriis ; turn denique quam hoc late pateat 1

intelliges . '—CICEBO . WE now come to the consideration of the Tracing Board on which are embodied many of the secret doctrines of the Spurious Freemasonry . The Tablet isof a square form , which was one of the emblems of the deity , and was peculiarly sacred to Hermes Trismegistus who was sometimes venerated

under the form of a square stone . * Suidas says that stones . were placed at the porches of doors ancl temples in Athens , which were of a square or cubical form ; because as Mercury was considered to be the god of eloquence ancl-truth , these stones were

an appropriate symbol , for , in common with truth , on what side soever they are viewed they always appear the same . Many of the heathen deities were represented by a stone , and with reverence be it spoken , the Messiah of the Jews was

described under the same symbol . f Moses asks the Israelites , on their emancipation from Egyptian bondage , " Where are their gods , their rock in whom they trusted ; svhich did eat the fat of their sacrifices , and

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