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  • June 1, 1876
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The Masonic Magazine, June 1, 1876: Page 40

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    Article THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. ← Page 2 of 9 →
Page 40

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Origin And References Of The Hermesian Spurious Freemasonry.

" With an interest perhaps stronger than Ave had ever felt in wandering amongst the ruins of Egypt , Ave followed our guide ivho , sometimes missing his Avay , Avith a constant and vigorous use of his machete , conducted us through the thick forest among half-buried fragments to

fourteen monuments of the same character and appearance ; some Avith more elegant desigus , ancl some in workmanshi p equal to the finest monuments of the Egyptians . One displaced from its pedestal by enormous roots , another locked in the close embrace

of branches of trees , and almost lifted out of the earth , another hurled to the ground and bound down by huge vines ancl creepers , and one standing with its altars before it in a grove of trees which grew around itseemingly to shade and shroud

, it as a sacred thing in the solemn stillness of the woods . It seemed a divinity mourning over a fallen people . " * An Egyptian hieroglyphic published by

Rischer exhibits the figure under our consideration , viz ., the three sides of a square but it is conjoined with a scorpion , the former being a symbol of the solar deity under the name of Osiris as the great Father of the human race , ancl the

compound hieroglyphic bore a reference to the deluge , which happened according to Egyptian tradition when the son was in Scorpio . Modern discovery has assigned this symbol to represent the letter M , Avhich accordingly conveys an idea of water

multitude and number , t The series which I have attempted to explain in the present chapter , combines in its aggregate form many useful lessons in morality , which would doubtless be strongly insisted on bthe hierophant

y while delivering instructions to the aspirant which were to form the future guides of his life and conduct as a member of the mysterious order into which he had been formally received .

CHAPTER VIII . SECOND SERIES OF SYMBOLS . " Have ye offered unto me sacrifices and offerings in the wilderness forty years , 0 house of Israel ? But ye have borne the Tabernacle of your Moloch and Chiun , your images , the star of your God which ye made to yourselves . " AMOB . Ill a line between the angles of the

right and left of the Tracing Board , Ave find two compound ancl three simple emblems . These are two larger semicircles connected by a smaller circle and a right line , the implement of architecture called a square , a circle , the circle and point , and

a sceptre or lotus flower joined to a circle . The analogy of different nations in the use of corresponding symbols to designate the deity and his attributes is very remarkable , and tends to establish a common origin , and the existence of such a method

of communicating knowledge Avhen all mankind lived together as one family , practising the same rites , and using the same language . The Indian and Chinese , the Celts and Saxons , as well as the Egyptians , and all the various nations and

people whicli mi ght trace their ori gin to that country adopted the circle and point , the crescent ancl square as sacred hieroglyphics with the same interpretation attached to them , viz ., as emblems of the chief deities the sun and moon . Diogenes Laertius * informs us that the Egyptians had a respect for the four elements and Avorshipped the Sun and

Moon as gods , under the names of Osiris and Isis , which they represented under the forms of the scarab , the haAvk , the serpent , ancl other animals . " He had probably seen the compound hieroglyphic prefixed to this dissertation , or something nearly

resembling it . To the same effect , Diodorus says that " the most ancient inhabitants of the world , contemplating the vast expanse above their heads , were filled with admiration and astonishment at the nature of the universe , and expressed their firm belief

that there Avere eternal gods , the two chief of which were the sun and the moon , called b y them Osiris and Isis . "t In most countries the circle was not only a symbol of the sun , but also of Eternity . In Greece it was called the

Ring of Gyges , and was reputed to render the wearer invisible , and in Britain it was presented to the view in the form of gigantic temples of the deity , Avhile the crescent appears not only attached to the figures of Isis or Astarte and at the

upper termination of the E gyptian sceptres , but also in the lunette of the Grecian Juno , the Ada of the Bab ylonians , and is

“The Masonic Magazine: 1876-06-01, Page 40” Masonic Periodicals Online, Library and Museum of Freemasonry, 24 May 2025, django:8000/periodicals/mmg/issues/mmg_01061876/page/40/.
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Title Category Page
Untitled Article 1
Untitled Article 2
Monthly Masonic Summary. Article 3
THE LEGEND OF THE HOLY THORN OF GLASTONBURY. Article 4
"THE HOLY THORN." Article 10
BROTHER ELLIS'S SKETCH OF PARADISE R.A. CHAPTER , SHEFFIELD. Article 11
SONNET Article 13
SOCIAL PROBLEMS AND THEIR PEACEFUL SOLUTION. Article 13
AN ITALIAN COUNT. Article 16
NOTES ON THE OLD MINUTE BOOKS OF THE BRITISH UNION LODGE, No. 114, IPSWICH. A.D. 1762. Article 19
SEA-SIDE DREAMINGS. Article 22
THE WOMEN OF OUR TIME. Article 22
HOW RAILWAY MATERIALS ARE TESTED. Article 24
T' SPELLIN' BEE. Article 26
DU ROLE DE LA FRANCMACONNERIE DANS L'AVENIR. Article 26
FAIRY TALES UTILISED FOR THE NEW GENERATION. Article 28
ODDS AND ENDS OF WIT AND HUMOUR. Article 30
CONTEMPORARY LETTERS ON THE FRENCH REVOLUTION. Article 37
THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Article 39
NOTES ON LITERATURE, SCIENCE AND ART. Article 47
THE OLD FRIENDS. Article 50
GOLD. Article 50
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Origin And References Of The Hermesian Spurious Freemasonry.

" With an interest perhaps stronger than Ave had ever felt in wandering amongst the ruins of Egypt , Ave followed our guide ivho , sometimes missing his Avay , Avith a constant and vigorous use of his machete , conducted us through the thick forest among half-buried fragments to

fourteen monuments of the same character and appearance ; some Avith more elegant desigus , ancl some in workmanshi p equal to the finest monuments of the Egyptians . One displaced from its pedestal by enormous roots , another locked in the close embrace

of branches of trees , and almost lifted out of the earth , another hurled to the ground and bound down by huge vines ancl creepers , and one standing with its altars before it in a grove of trees which grew around itseemingly to shade and shroud

, it as a sacred thing in the solemn stillness of the woods . It seemed a divinity mourning over a fallen people . " * An Egyptian hieroglyphic published by

Rischer exhibits the figure under our consideration , viz ., the three sides of a square but it is conjoined with a scorpion , the former being a symbol of the solar deity under the name of Osiris as the great Father of the human race , ancl the

compound hieroglyphic bore a reference to the deluge , which happened according to Egyptian tradition when the son was in Scorpio . Modern discovery has assigned this symbol to represent the letter M , Avhich accordingly conveys an idea of water

multitude and number , t The series which I have attempted to explain in the present chapter , combines in its aggregate form many useful lessons in morality , which would doubtless be strongly insisted on bthe hierophant

y while delivering instructions to the aspirant which were to form the future guides of his life and conduct as a member of the mysterious order into which he had been formally received .

CHAPTER VIII . SECOND SERIES OF SYMBOLS . " Have ye offered unto me sacrifices and offerings in the wilderness forty years , 0 house of Israel ? But ye have borne the Tabernacle of your Moloch and Chiun , your images , the star of your God which ye made to yourselves . " AMOB . Ill a line between the angles of the

right and left of the Tracing Board , Ave find two compound ancl three simple emblems . These are two larger semicircles connected by a smaller circle and a right line , the implement of architecture called a square , a circle , the circle and point , and

a sceptre or lotus flower joined to a circle . The analogy of different nations in the use of corresponding symbols to designate the deity and his attributes is very remarkable , and tends to establish a common origin , and the existence of such a method

of communicating knowledge Avhen all mankind lived together as one family , practising the same rites , and using the same language . The Indian and Chinese , the Celts and Saxons , as well as the Egyptians , and all the various nations and

people whicli mi ght trace their ori gin to that country adopted the circle and point , the crescent ancl square as sacred hieroglyphics with the same interpretation attached to them , viz ., as emblems of the chief deities the sun and moon . Diogenes Laertius * informs us that the Egyptians had a respect for the four elements and Avorshipped the Sun and

Moon as gods , under the names of Osiris and Isis , which they represented under the forms of the scarab , the haAvk , the serpent , ancl other animals . " He had probably seen the compound hieroglyphic prefixed to this dissertation , or something nearly

resembling it . To the same effect , Diodorus says that " the most ancient inhabitants of the world , contemplating the vast expanse above their heads , were filled with admiration and astonishment at the nature of the universe , and expressed their firm belief

that there Avere eternal gods , the two chief of which were the sun and the moon , called b y them Osiris and Isis . "t In most countries the circle was not only a symbol of the sun , but also of Eternity . In Greece it was called the

Ring of Gyges , and was reputed to render the wearer invisible , and in Britain it was presented to the view in the form of gigantic temples of the deity , Avhile the crescent appears not only attached to the figures of Isis or Astarte and at the

upper termination of the E gyptian sceptres , but also in the lunette of the Grecian Juno , the Ada of the Bab ylonians , and is

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