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  • July 1, 1878
  • Page 22
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The Masonic Magazine, July 1, 1878: Page 22

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    Article ART-JOTTINGS IN ART-STUDIOS. ← Page 2 of 3 →
Page 22

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Art-Jottings In Art-Studios.

Ill what , once more , does Art consist ? Not the mere presenting to the eye the picture of that which strikes us as the beauty of form , but rather in the reading a lesson to our inner sense of sight whilst it shows us the counterfeit of perfection as near to life as human hand can fashion it . How has Art been given again to man ? He has , as one commonly says , discovered aud improved . Rough untutored man , savage may be , yet endued . with intelligence ,

has found a knotted piece of wood or rugged fragment of stone ; in it he has seen a slight resemblance to some thing of life ; a few touches of his knife or such rough tool has improved the likeness ; improvement begets practice , practice imju'ovenient ; till the work of his hand , rude enough at first , has become a closer imitation of his model . Practice , ever-increasing , grades his effort , and his work becomes more and more beautiful ; whilstas his hand becomes more skilfulhis mind becomes more cultivatedand as

, , , his representation approaches the true he attains to the beautiful , so too , as he produces the beautiful he begins to realise the true ; and from merely representing to the eye the likeness of the real , he gradually comes to picture to the mind the perfection of the ideal . And so the sculptured block becomes capable , in his hands , of passing beyond the presentment of the frailty of this present state to the picturing of the

perfection of the long-distant past and the ever-nearing future . The girl who traced her lover's shadow with the charcoal on the wall , strove to keep with her his presence in their parting , so the true Artist strives , and to a great extent succeeds in presenting to our view , the permanent resemblance of a beauty ancl a truth , of whose reaHty we have here but a fleeting , evanescent glimpse . Ampbion , wandering by the restless sea , picked up the hollow tortoise shell ; letting sbp , by accidentthe tightened cord by which he bore ita resonant note resulted ; here

, , was the foundation of music . Probably the note of the beating wave produced with that of the vibrating string a pleasing whole , whence might have resulted Harmony ; but how ? Could this one sounding note have taught man music ? Coidd this single chord have generated the gamut ? Is it not more feasible to suppose that man had within him some long dormant melody that this one stray taste of sweetness called into action , — some sleeping memory of heavenly songlong forgotten ancl laid asidethat this feeble

, , glimmer awoke to the full perception of the " concord of sweet sounds" ? Li short , was it not rather the Music within the man that became developed , than that the faculty was formed by the extraneous influence of the accidental sound ? Surely we have our great master of song with us when we recall his sweeping condemnation of the man within whose breast there is no innate trace of melody : —

" The man thatliath no music in himself . Nov is not mov'd with concord of sweet sounds , Is fit for treasons , stratagems , and spoils ; The motions of his spirit tire dull as night , And his affections dark as Erebus : Let no such man be trusted , " Such then isor at least seems to us to bethe oriin of Art—A heaven-born iftim

, , g . g , - planted in man ' s nature in the time of his innocence ; lost , or at best marred , in his fall , ancl overlaid by the savage ignorance into which he drifted : called again to bfe , however , by some chance touch , like melody awakened from the rusted string of the dis-used harpsichord by the passing breeze ; recognised by some intuitive quality of soul ; harboured and given a home in some cobwebbed corner of the mind ; appreciated , and fostered ancl nurtured by man ' s better nature , till the outcome is the beautiful and true .

Its work a reflective one , as well as a diffusive—like mercy , — ¦ " It is twice bless'd , It blesseth him that gives , and him that takes " : for it not onl y spreads its influence far ancl wide over a man ' s surroundings , but it acts and reacts upon himself . The soxd that has once arrived at a true conception of true

“The Masonic Magazine: 1878-07-01, Page 22” Masonic Periodicals Online, Library and Museum of Freemasonry, 6 June 2025, django:8000/periodicals/mmg/issues/mmg_01071878/page/22/.
  • List
  • Grid
Title Category Page
Untitled Article 1
PREFACE. Article 2
CONTENTS. Article 3
Monthly Masonic Summary. Article 5
AN HERMETIC WORK. Article 6
RECORDS OF OLD LODGES. Article 8
Untitled Article 12
PAPERS ON THE GREAT PYRAMID. Article 13
THE ADVENTURES OF DON PASQUALE. Article 18
SONNET. Article 20
ART-JOTTINGS IN ART-STUDIOS. Article 21
AN ANCIENT CHAEGE.* Article 23
Untitled Article 25
"HAIL AND FAEEWELL." Article 26
FREEMASONRY IN KELSO. Article 27
AMABEL VAUGHAN.* Article 30
MODERN AND ANCIENT LODGES IN AMERICA, ON THE ROLL OF THE ENGLISH GRAND LODGE, A.D. 1813. Article 32
THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Article 35
REVIEWS. Article 38
BE NOT UNKIND. Article 40
ALONE: A MOTHER'S SONG. Article 41
NOTES ON LITERATURE SCIENCE, AND ART. Article 42
LOST AND SAVED; OR, NELLIE POWERS, THE MISSIONARY'S DAUGHTER. Article 45
THE MASON'S TRUST. Article 49
THE NAME OF GOD. Article 50
MASONIC THINKERS. Article 51
FORWARD. Article 52
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Art-Jottings In Art-Studios.

Ill what , once more , does Art consist ? Not the mere presenting to the eye the picture of that which strikes us as the beauty of form , but rather in the reading a lesson to our inner sense of sight whilst it shows us the counterfeit of perfection as near to life as human hand can fashion it . How has Art been given again to man ? He has , as one commonly says , discovered aud improved . Rough untutored man , savage may be , yet endued . with intelligence ,

has found a knotted piece of wood or rugged fragment of stone ; in it he has seen a slight resemblance to some thing of life ; a few touches of his knife or such rough tool has improved the likeness ; improvement begets practice , practice imju'ovenient ; till the work of his hand , rude enough at first , has become a closer imitation of his model . Practice , ever-increasing , grades his effort , and his work becomes more and more beautiful ; whilstas his hand becomes more skilfulhis mind becomes more cultivatedand as

, , , his representation approaches the true he attains to the beautiful , so too , as he produces the beautiful he begins to realise the true ; and from merely representing to the eye the likeness of the real , he gradually comes to picture to the mind the perfection of the ideal . And so the sculptured block becomes capable , in his hands , of passing beyond the presentment of the frailty of this present state to the picturing of the

perfection of the long-distant past and the ever-nearing future . The girl who traced her lover's shadow with the charcoal on the wall , strove to keep with her his presence in their parting , so the true Artist strives , and to a great extent succeeds in presenting to our view , the permanent resemblance of a beauty ancl a truth , of whose reaHty we have here but a fleeting , evanescent glimpse . Ampbion , wandering by the restless sea , picked up the hollow tortoise shell ; letting sbp , by accidentthe tightened cord by which he bore ita resonant note resulted ; here

, , was the foundation of music . Probably the note of the beating wave produced with that of the vibrating string a pleasing whole , whence might have resulted Harmony ; but how ? Could this one sounding note have taught man music ? Coidd this single chord have generated the gamut ? Is it not more feasible to suppose that man had within him some long dormant melody that this one stray taste of sweetness called into action , — some sleeping memory of heavenly songlong forgotten ancl laid asidethat this feeble

, , glimmer awoke to the full perception of the " concord of sweet sounds" ? Li short , was it not rather the Music within the man that became developed , than that the faculty was formed by the extraneous influence of the accidental sound ? Surely we have our great master of song with us when we recall his sweeping condemnation of the man within whose breast there is no innate trace of melody : —

" The man thatliath no music in himself . Nov is not mov'd with concord of sweet sounds , Is fit for treasons , stratagems , and spoils ; The motions of his spirit tire dull as night , And his affections dark as Erebus : Let no such man be trusted , " Such then isor at least seems to us to bethe oriin of Art—A heaven-born iftim

, , g . g , - planted in man ' s nature in the time of his innocence ; lost , or at best marred , in his fall , ancl overlaid by the savage ignorance into which he drifted : called again to bfe , however , by some chance touch , like melody awakened from the rusted string of the dis-used harpsichord by the passing breeze ; recognised by some intuitive quality of soul ; harboured and given a home in some cobwebbed corner of the mind ; appreciated , and fostered ancl nurtured by man ' s better nature , till the outcome is the beautiful and true .

Its work a reflective one , as well as a diffusive—like mercy , — ¦ " It is twice bless'd , It blesseth him that gives , and him that takes " : for it not onl y spreads its influence far ancl wide over a man ' s surroundings , but it acts and reacts upon himself . The soxd that has once arrived at a true conception of true

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