Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Masonic Magazine
  • July 1, 1879
  • Page 14
  • ST. ALBAN'S ABBEY.
Current:

The Masonic Magazine, July 1, 1879: Page 14

  • Back to The Masonic Magazine, July 1, 1879
  • Print image
  • Articles/Ads
    Article ST. ALBAN'S ABBEY. ← Page 5 of 10 →
Page 14

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

St. Alban's Abbey.

After John de Cella ' s death Abbot William cle Trumpington , who ruled the Monastery from 1214 to 1235 , continued the work and completed the rebuilding of the western portion of the nave . His work is of a far simpler character than that of cle Cella ; no Purbeck marble shafts and no unnecessary ornamentation was •introduced . The design is , however , very beautiful , the engaged shafts supporting the arches with their bold and deeply-cut

mouldings , the double arches in the trif orium highly enriched with dogtooth , and the well-proportioned lancets in the clerestory formed into a continuous arcade on the exterior , present a combination which cannot fail to excite the admiration of all who take an interest in our English Ecclesiastical architecture . The brackets or corbels supporting the groining shafts of the roof , which Abbot Trumpington probably erectedare most exquisitively carved . Some of

, the windows in the south transept ancl in the aisles , all enriched with the dogtooth ornament , also belong to this period . It was during this time that we read that one Walter cle Colchester , a celebrated painter , was employed in beautifying the Church . We probably have remains of his work in some of the unique series of paintings of the Crucifixionto be found on the western faces of the Norman piers on the north

, side of the nave . There are five in all . The eastern one seems to be the earliest , ancl may have been painted at the end of the twelfth century . Below the Crucifixion is the not very common subject of the Coronation of the Virgin . The next three , which vary in style ancl date ( the eastern being the earliest ) , represent the Crucifixion above and the Annunciation belOw . The one on the western Norman pier also pourtrays the Crucifixion—the figures of

our Saviour and of the Virgin and of St . John are painted black , ancl it has been suggested that a special sanctity attached to this painting . The work of Trumpington suddenly terminates at this pier , the upper part of which has been cut away , and the early English capital and a portion of the column inserted . It is supposed that there was a desire to preserve this painting , and thus at this point the work of rebuilding the nave was arrested .

After the death of William cle Trumpington the work of rebuilding was steadily continued by his successor , John de Hertford ( 1235 to 1260 ) . During his Abbacy the Presbytery , or Choir , to the east of the tower , and the Retrochoir , or Feretory , where now stands the noble shrine of St . Alban , were constructed . The advance in the style from the work of Trumpington is very clearly defined by the lighter and more slender mouldings , and the more acutel y pointed archeswhich much resemble those in Westminster Abbey

, , with which they correspond in date . The groined roof also probably belongs to this period , though we know that the painting at present existing on ' it was either first executed or thoroughly restored by John de Whetehanistede , in the fifteenth century . The large windows on the north and south sides are very interesting , as showing one of the earliest examples of the approaching transition from the early Englishor first pointedto the Decorated—second pointed

, , , or Geometrical style of architecture , as it is variousl y denominated . The beautiful east window of the Presb ytery was probably completed by Abbot Roger de Norton ( 1260 to 1290 ) , the immediate successor of John cle Hertford , as this window affords us an admirable example of the pure Geometrical st yle of architecture . It is probable that at this time the first addition was made to the building , the work previously described being simply a rebuilding in

the style of the period on the ground plan of Abbot Paul ' s original Church . This addition was the Ante-Chapel , built on at the east end of the Retrochoir and presbytery aisles , and intended as a vestibule to the Lady Chapel , which was probably projected at this time . The Ante-Chapel consists of a central portion and north and south aisles , which form the eastern portions of the presbytery aisles , and were , as was commonly the case , the sites of special altars . These chapels are separated from the central portion b y two decorated arches ,

“The Masonic Magazine: 1879-07-01, Page 14” Masonic Periodicals Online, Library and Museum of Freemasonry, 25 May 2025, django:8000/periodicals/mmg/issues/mmg_01071879/page/14/.
  • List
  • Grid
Title Category Page
Untitled Article 1
Untitled Article 2
PREFACE. Article 3
CONTENTS. Article 4
ON OLD ENGLISH BIBLES. Article 6
ST. ALBAN'S ABBEY. Article 10
BEATRICE. Article 19
CURIOUS MASONIC JEWELS. Article 22
FREEMASONRY. Article 23
TRYING TO CHANGE A SOVEREIGN. Article 25
THE AGAMEMNON OF AECHYLUS.* Article 38
LIFE OF THE PRINCE CONSORT* Article 42
BROTHER GOULD'S "FOUR OLD LODGES." Article 44
SUMMER. Article 47
FREEMASONRY IN KELSO. Article 47
THE POET. Article 50
NOTES ON LITERATURE, SCIENCE, AND ART. Article 51
Page 1

Page 1

1 Article
Page 2

Page 2

1 Article
Page 3

Page 3

1 Article
Page 4

Page 4

1 Article
Page 5

Page 5

1 Article
Page 6

Page 6

1 Article
Page 7

Page 7

1 Article
Page 8

Page 8

1 Article
Page 9

Page 9

1 Article
Page 10

Page 10

1 Article
Page 11

Page 11

1 Article
Page 12

Page 12

1 Article
Page 13

Page 13

1 Article
Page 14

Page 14

1 Article
Page 15

Page 15

1 Article
Page 16

Page 16

1 Article
Page 17

Page 17

1 Article
Page 18

Page 18

1 Article
Page 19

Page 19

2 Articles
Page 20

Page 20

1 Article
Page 21

Page 21

1 Article
Page 22

Page 22

2 Articles
Page 23

Page 23

2 Articles
Page 24

Page 24

1 Article
Page 25

Page 25

2 Articles
Page 26

Page 26

1 Article
Page 27

Page 27

1 Article
Page 28

Page 28

1 Article
Page 29

Page 29

1 Article
Page 30

Page 30

1 Article
Page 31

Page 31

1 Article
Page 32

Page 32

1 Article
Page 33

Page 33

1 Article
Page 34

Page 34

1 Article
Page 35

Page 35

1 Article
Page 36

Page 36

1 Article
Page 37

Page 37

1 Article
Page 38

Page 38

1 Article
Page 39

Page 39

1 Article
Page 40

Page 40

1 Article
Page 41

Page 41

1 Article
Page 42

Page 42

2 Articles
Page 43

Page 43

1 Article
Page 44

Page 44

2 Articles
Page 45

Page 45

1 Article
Page 46

Page 46

1 Article
Page 47

Page 47

2 Articles
Page 48

Page 48

1 Article
Page 49

Page 49

1 Article
Page 50

Page 50

2 Articles
Page 51

Page 51

2 Articles
Page 52

Page 52

1 Article
Page 53

Page 53

1 Article
Page 14

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

St. Alban's Abbey.

After John de Cella ' s death Abbot William cle Trumpington , who ruled the Monastery from 1214 to 1235 , continued the work and completed the rebuilding of the western portion of the nave . His work is of a far simpler character than that of cle Cella ; no Purbeck marble shafts and no unnecessary ornamentation was •introduced . The design is , however , very beautiful , the engaged shafts supporting the arches with their bold and deeply-cut

mouldings , the double arches in the trif orium highly enriched with dogtooth , and the well-proportioned lancets in the clerestory formed into a continuous arcade on the exterior , present a combination which cannot fail to excite the admiration of all who take an interest in our English Ecclesiastical architecture . The brackets or corbels supporting the groining shafts of the roof , which Abbot Trumpington probably erectedare most exquisitively carved . Some of

, the windows in the south transept ancl in the aisles , all enriched with the dogtooth ornament , also belong to this period . It was during this time that we read that one Walter cle Colchester , a celebrated painter , was employed in beautifying the Church . We probably have remains of his work in some of the unique series of paintings of the Crucifixionto be found on the western faces of the Norman piers on the north

, side of the nave . There are five in all . The eastern one seems to be the earliest , ancl may have been painted at the end of the twelfth century . Below the Crucifixion is the not very common subject of the Coronation of the Virgin . The next three , which vary in style ancl date ( the eastern being the earliest ) , represent the Crucifixion above and the Annunciation belOw . The one on the western Norman pier also pourtrays the Crucifixion—the figures of

our Saviour and of the Virgin and of St . John are painted black , ancl it has been suggested that a special sanctity attached to this painting . The work of Trumpington suddenly terminates at this pier , the upper part of which has been cut away , and the early English capital and a portion of the column inserted . It is supposed that there was a desire to preserve this painting , and thus at this point the work of rebuilding the nave was arrested .

After the death of William cle Trumpington the work of rebuilding was steadily continued by his successor , John de Hertford ( 1235 to 1260 ) . During his Abbacy the Presbytery , or Choir , to the east of the tower , and the Retrochoir , or Feretory , where now stands the noble shrine of St . Alban , were constructed . The advance in the style from the work of Trumpington is very clearly defined by the lighter and more slender mouldings , and the more acutel y pointed archeswhich much resemble those in Westminster Abbey

, , with which they correspond in date . The groined roof also probably belongs to this period , though we know that the painting at present existing on ' it was either first executed or thoroughly restored by John de Whetehanistede , in the fifteenth century . The large windows on the north and south sides are very interesting , as showing one of the earliest examples of the approaching transition from the early Englishor first pointedto the Decorated—second pointed

, , , or Geometrical style of architecture , as it is variousl y denominated . The beautiful east window of the Presb ytery was probably completed by Abbot Roger de Norton ( 1260 to 1290 ) , the immediate successor of John cle Hertford , as this window affords us an admirable example of the pure Geometrical st yle of architecture . It is probable that at this time the first addition was made to the building , the work previously described being simply a rebuilding in

the style of the period on the ground plan of Abbot Paul ' s original Church . This addition was the Ante-Chapel , built on at the east end of the Retrochoir and presbytery aisles , and intended as a vestibule to the Lady Chapel , which was probably projected at this time . The Ante-Chapel consists of a central portion and north and south aisles , which form the eastern portions of the presbytery aisles , and were , as was commonly the case , the sites of special altars . These chapels are separated from the central portion b y two decorated arches ,

  • Prev page
  • 1
  • 13
  • You're on page14
  • 15
  • 53
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy