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  • The Masonic Magazine
  • Aug. 1, 1880
  • Page 4
  • A LECTURE ON THE ANTIQUITY OF LAYING CORNER STONES WITH RELIGIOUS AND MYSTICAL CEREMONIES.
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A Lecture On The Antiquity Of Laying Corner Stones With Religious And Mystical Ceremonies.

royal . One is stated as a man of low extraction , but married to the lady Nofer-hotep , from the house of the king ; one Avas a king ' s son , and of tliree no details are given . These lived more than 400 , 0 years B . C . The priestly caste was more inclusive of learning and art in those , than in modern , times . When tbe highest God-patah ( the father of their other Gods ) Avas hailed by his title as Holy Architect of the UniA'erseancl tbe hih priest

, g under the kings Avas called the Foreman , it must be admitted that the art and architecture of the stonemasons Avas in tbe closest and most natural relation to tbe religion of tbe country . In the fourth dynasty , a king , Seruchis , is said to bave invented notable improvements in constructing edifices of carved stone , ancl some also in painting- tbe hieroglyphic writings . It is not singular that we find the names of the architects AVIIO Avere the

masters of tbe particular works inscribed thereon , ancl preserved , for these highly educated master masons held no grovelling position in the state . They were eligible to tbe highest civil and priestly offices , ancl frequently one more distinguished for practical abilities was entrusted with such . Nor is this a fanciful conception . Such persons holding double offices have inscribed their pride in their practical skill at the handicraft they possessed .

Mentu-hotep , the chief architect of Usurtasen I ., the inscription on bis tombstone , now at Boluogne , is thus described b y Brugscb ( I ., p . 140 ) . "He prides himself on having been 'a man learned in the law , a legislator , ' one who apportioned tbe duties ancl ordered tbe works in tbe District , who kept order in the whole land , who carried out all behests of the king , Avho , as judge , decided and restored his piroperty to the OAvner " ( see p . 19 ) . "As chief

architect of tbe king , be promoted tbe worship of the Gods ancl instructed the inhabitants of the country according to the best of bis knowledge , as God orders to be done . He protected the poor , and freed him Avho was in want of freedom . Peace Avas in the words which came from his month , ancl the book of tbe wise That was on his tongue . Very skilled in artistic Avork , with Ms oivn hand he carried out his designs as they ought to be carried out . He knew the hidden thoughts of men , ancl he appreciated a man according to his value , " etc ., etc .

He also was governor of the town of Ant , and the land of Tesher . His panegyric finished by some remarks about a Temple of Osiris : " I , it was , AVIIO arranged the work for the building of the Temple , and sunk the Avell according to the order of the holiness of the royal lord . " Righteous and generous Avere the speculative duties of bis office of architect . Proud of his craft was this Grand Master ; and no other official rank of his was so hi gh or so noble

that in bis mind it obscured tbe skill of his own hands , or the fertility ancl grace of his powers of artistic masonic design . The Craft , now four thousand years after you haA * e laid down the chisel ancl the mallet , dropped tbe crayon ancl tbe line , ancl put off your regalia , oh Mentu-hotep , will bail you as a fellow , and not forget yon ivhen they drink to tbe health of tbe living masons throughout the world and the memory of the dead .

Brugsch ( I ., p . 180 ) , says the artist was the most honoured man in tbe Empire , ancl stood close to Pharaoh , who poured his favours in a full stream on the man " of enlightened spirit ancl skilful band . " The old master Martisen , AVIIO liA'ecl forty-four centuries ago , calls himself "a master among those who understand art , and a plastic artist , " AVIIO "was a wise artist in his art . " He relates in succession his knowledge in the

makinoof " statues , in every position according to prescribed use and measure ; " also he describes as bis particular iiiA'ention an etching with colours that resist fire ancl ivater ; ancl states "no man has arisen who is able to do this except himself alone and the eldest son of his race , whom God ' s will has created . He has arisen able to clo this , ancl tbe exercise of his hand has been admired in masterly works in all sorts of precious stones , from gold ancl silver to ivory and ebony . " His son was named Usurtasen . These two masters opened tbe age of the hi g hest development of art under the kings of the twelfth dynasty .

“The Masonic Magazine: 1880-08-01, Page 4” Masonic Periodicals Online, Library and Museum of Freemasonry, 25 May 2025, django:8000/periodicals/mmg/issues/mmg_01081880/page/4/.
  • List
  • Grid
Title Category Page
WHAT WAS THE HERMETIC SOCIETY OF 1721 ? Article 1
A LECTURE ON THE ANTIQUITY OF LAYING CORNER STONES WITH RELIGIOUS AND MYSTICAL CEREMONIES. Article 3
WHAT'S IN A SIGN ? Article 7
WAITING: THE POET'S GUERDON. Article 9
OLD RECORDS OF THE LODGE OF PEEBLES. Article 10
THE QUARTERLY COMMUNICATIONS. Article 12
THE ASTROLOGY OF SHAKESPEARE. Article 14
CAMOENS: POET AND WARRIOR. Article 17
THE BEAUTIFUL STONE OF THE MASONIC ARCH. Article 20
THE ANCIENT MYSTERIES. Article 21
LODGE HISTORIES. Article 25
SONNET ON THE LATE LEARNED JOHN OXLEE. Article 29
THE LIVERY COMPANIES AND ART TREASURES. Article 30
"ARS QUATUOR CORONATORUM." Article 33
IN THE LONG RUN. Article 36
LITERARY AND ANTIQUARIAN GOSSIP. Article 36
PERFORMANCE OF THE AGAMEMNON OF AESCHYLUS AT BALLIOL COLLEGE, OXFORD. Article 39
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

A Lecture On The Antiquity Of Laying Corner Stones With Religious And Mystical Ceremonies.

royal . One is stated as a man of low extraction , but married to the lady Nofer-hotep , from the house of the king ; one Avas a king ' s son , and of tliree no details are given . These lived more than 400 , 0 years B . C . The priestly caste was more inclusive of learning and art in those , than in modern , times . When tbe highest God-patah ( the father of their other Gods ) Avas hailed by his title as Holy Architect of the UniA'erseancl tbe hih priest

, g under the kings Avas called the Foreman , it must be admitted that the art and architecture of the stonemasons Avas in tbe closest and most natural relation to tbe religion of tbe country . In the fourth dynasty , a king , Seruchis , is said to bave invented notable improvements in constructing edifices of carved stone , ancl some also in painting- tbe hieroglyphic writings . It is not singular that we find the names of the architects AVIIO Avere the

masters of tbe particular works inscribed thereon , ancl preserved , for these highly educated master masons held no grovelling position in the state . They were eligible to tbe highest civil and priestly offices , ancl frequently one more distinguished for practical abilities was entrusted with such . Nor is this a fanciful conception . Such persons holding double offices have inscribed their pride in their practical skill at the handicraft they possessed .

Mentu-hotep , the chief architect of Usurtasen I ., the inscription on bis tombstone , now at Boluogne , is thus described b y Brugscb ( I ., p . 140 ) . "He prides himself on having been 'a man learned in the law , a legislator , ' one who apportioned tbe duties ancl ordered tbe works in tbe District , who kept order in the whole land , who carried out all behests of the king , Avho , as judge , decided and restored his piroperty to the OAvner " ( see p . 19 ) . "As chief

architect of tbe king , be promoted tbe worship of the Gods ancl instructed the inhabitants of the country according to the best of bis knowledge , as God orders to be done . He protected the poor , and freed him Avho was in want of freedom . Peace Avas in the words which came from his month , ancl the book of tbe wise That was on his tongue . Very skilled in artistic Avork , with Ms oivn hand he carried out his designs as they ought to be carried out . He knew the hidden thoughts of men , ancl he appreciated a man according to his value , " etc ., etc .

He also was governor of the town of Ant , and the land of Tesher . His panegyric finished by some remarks about a Temple of Osiris : " I , it was , AVIIO arranged the work for the building of the Temple , and sunk the Avell according to the order of the holiness of the royal lord . " Righteous and generous Avere the speculative duties of bis office of architect . Proud of his craft was this Grand Master ; and no other official rank of his was so hi gh or so noble

that in bis mind it obscured tbe skill of his own hands , or the fertility ancl grace of his powers of artistic masonic design . The Craft , now four thousand years after you haA * e laid down the chisel ancl the mallet , dropped tbe crayon ancl tbe line , ancl put off your regalia , oh Mentu-hotep , will bail you as a fellow , and not forget yon ivhen they drink to tbe health of tbe living masons throughout the world and the memory of the dead .

Brugsch ( I ., p . 180 ) , says the artist was the most honoured man in tbe Empire , ancl stood close to Pharaoh , who poured his favours in a full stream on the man " of enlightened spirit ancl skilful band . " The old master Martisen , AVIIO liA'ecl forty-four centuries ago , calls himself "a master among those who understand art , and a plastic artist , " AVIIO "was a wise artist in his art . " He relates in succession his knowledge in the

makinoof " statues , in every position according to prescribed use and measure ; " also he describes as bis particular iiiA'ention an etching with colours that resist fire ancl ivater ; ancl states "no man has arisen who is able to do this except himself alone and the eldest son of his race , whom God ' s will has created . He has arisen able to clo this , ancl tbe exercise of his hand has been admired in masterly works in all sorts of precious stones , from gold ancl silver to ivory and ebony . " His son was named Usurtasen . These two masters opened tbe age of the hi g hest development of art under the kings of the twelfth dynasty .

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