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  • Aug. 1, 1880
  • Page 41
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The Masonic Magazine, Aug. 1, 1880: Page 41

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    Article PERFORMANCE OF THE AGAMEMNON OF AESCHYLUS AT BALLIOL COLLEGE, OXFORD. ← Page 3 of 6 →
Page 41

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Performance Of The Agamemnon Of Aeschylus At Balliol College, Oxford.

dramatic expression in our power . AVe have kept this before us in the choice of our text—Hermann ' s ; and in making such omissions as AVC found to be necessary . If any learned scholars , who have honoured ns with their presence , feel tlie absence of a familiar line or a favourite reading , wo can only beg their indulgence and appeal to them for generous sympathy in an enterprise which wo cannot but feel to be most difficult , if not . audacious . Neither the shortness of the time at our disposal , nor the mediocrity of our talents , permit ns to hope for a great dramatic success . We shall be more than satisliod if ivc can convey but a Faint impression of the grandeur of one of the greatest of dramas .

That all possible success Avas attained , most of those who ivere present can testify . Tbe following is the " cast" of actors and assistants : — Watchman ... Mr . AV . L . Courtney , Neiv College . Clytemnostra Mr . P . R . Benson , New College . Herald Mr . J . A . PortNew College . '

, Agamemnon Mr . W . N . Bruce , Balliol . Cassandra Mr . G . liaivrence , C . G' . C . iEgisthns Mr . If . A . C . Dunn , New College . ClIORCS OF AllOlVE ELDEUS . First Argii'e Mr . 0 . T . Perkins , Neiv College . Second Argivo Mr . M . T . Tatbam , Balliol .

Third Argive Mr . A . M . Mackinnon , Trinity . Pom-th Argive Mr . C . LoAVvy , C . C . C . Fifth Argive Mr . W . S . Eastwood , Neiv College . Sixth Argive Mr . L . Huxley , Balliol . Seventh Argive Mv . R . E . Parrant , Neiv College . Eighth Argive Mr . J . W . Maokail , Balliol . Ninth Argive Mv . E . W . Himtiwgfovd , Mevtou . Tenth Argive Mr . P . A . KerNeiv College .

, Eleventh Argive Mr . J , E . Bodd , Balliol . Twelfth Argive Mr . J . T . A . Haines , Balliol . Thirteenth Argive Mr . M . C . Bickersteth , Neiv College . Fourteenth Argive Mr . S . Pickering , Balliol . Fifteenth Argive Mr . T . E . Walrcrad , Balliol . Chorodidaskalos Mr . A . Bradley , Balliol . Composer of Music Mr . AV . Parratt , Magdalen .

COMMITTEE . Mr . AY . N . Bruce , Balliol . . I Mr . W . L . Courtney , NBAV College . . Mr . C . Lowi-y , C . C . C . | Mr . M . C . Bickersteth , New College . Manager—Mr . F . R . Benson , NBAV College . Architect—Mr . AV . A . S . Benson , Ne-v College . Scene Painters—Messrs . J . E . Eodd , Balliol ; A . J . Uyle , New College . Stage Carpenter—J . Shelton , Little Clarendon Street .

An English translation of the play by Professor Lewis Campbell , of St . Andrew ' s , specially designed for tbe stage , has ( we believe ) been recently performed Avith some success at Edinburgh , one supposed advantage being that tbe parts of Cl ytemnestra and Cassandra could be taken by ladies . This , however , is a sacrifice of historical accuracy ; for none but male actors appeared on the Athenian stage , ancl tbe great size of the theatre ivas probabl y

beyond the range of female voices . For this , and for other reasons , Ave think that the Oxford troupe were quite ri g ht in keeping their presentment as nearl y as they could to the ori g inal b y retaining the original language . In the music for the choral songs there was greater freedom of choice , because so little is known of tbe ancient Greek music ; but the eminent organist of Magdalen ( Mr . Parratt ) , whose assistance ivas invoked , mi ght surely have received a hint

that , of all modern instruments , that which is least likely to be aualagous to anything the Greeks possessed is a p iano . The harp , the reed-pipe , tbe flute , the clarionet , the bugle , or the oboe , have all more or less affinity , so far as AVO can tell , to the instruments mentioned in Greek literature ; but can we conceive a chorus in tbe Theatre of Dionysus being accompanied by a piano ? The effect of this feature in Mr , Parratt ' s otherwise excellent accompaniment was one of

“The Masonic Magazine: 1880-08-01, Page 41” Masonic Periodicals Online, Library and Museum of Freemasonry, 24 May 2025, django:8000/periodicals/mmg/issues/mmg_01081880/page/41/.
  • List
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Title Category Page
WHAT WAS THE HERMETIC SOCIETY OF 1721 ? Article 1
A LECTURE ON THE ANTIQUITY OF LAYING CORNER STONES WITH RELIGIOUS AND MYSTICAL CEREMONIES. Article 3
WHAT'S IN A SIGN ? Article 7
WAITING: THE POET'S GUERDON. Article 9
OLD RECORDS OF THE LODGE OF PEEBLES. Article 10
THE QUARTERLY COMMUNICATIONS. Article 12
THE ASTROLOGY OF SHAKESPEARE. Article 14
CAMOENS: POET AND WARRIOR. Article 17
THE BEAUTIFUL STONE OF THE MASONIC ARCH. Article 20
THE ANCIENT MYSTERIES. Article 21
LODGE HISTORIES. Article 25
SONNET ON THE LATE LEARNED JOHN OXLEE. Article 29
THE LIVERY COMPANIES AND ART TREASURES. Article 30
"ARS QUATUOR CORONATORUM." Article 33
IN THE LONG RUN. Article 36
LITERARY AND ANTIQUARIAN GOSSIP. Article 36
PERFORMANCE OF THE AGAMEMNON OF AESCHYLUS AT BALLIOL COLLEGE, OXFORD. Article 39
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Performance Of The Agamemnon Of Aeschylus At Balliol College, Oxford.

dramatic expression in our power . AVe have kept this before us in the choice of our text—Hermann ' s ; and in making such omissions as AVC found to be necessary . If any learned scholars , who have honoured ns with their presence , feel tlie absence of a familiar line or a favourite reading , wo can only beg their indulgence and appeal to them for generous sympathy in an enterprise which wo cannot but feel to be most difficult , if not . audacious . Neither the shortness of the time at our disposal , nor the mediocrity of our talents , permit ns to hope for a great dramatic success . We shall be more than satisliod if ivc can convey but a Faint impression of the grandeur of one of the greatest of dramas .

That all possible success Avas attained , most of those who ivere present can testify . Tbe following is the " cast" of actors and assistants : — Watchman ... Mr . AV . L . Courtney , Neiv College . Clytemnostra Mr . P . R . Benson , New College . Herald Mr . J . A . PortNew College . '

, Agamemnon Mr . W . N . Bruce , Balliol . Cassandra Mr . G . liaivrence , C . G' . C . iEgisthns Mr . If . A . C . Dunn , New College . ClIORCS OF AllOlVE ELDEUS . First Argii'e Mr . 0 . T . Perkins , Neiv College . Second Argivo Mr . M . T . Tatbam , Balliol .

Third Argive Mr . A . M . Mackinnon , Trinity . Pom-th Argive Mr . C . LoAVvy , C . C . C . Fifth Argive Mr . W . S . Eastwood , Neiv College . Sixth Argive Mr . L . Huxley , Balliol . Seventh Argive Mv . R . E . Parrant , Neiv College . Eighth Argive Mr . J . W . Maokail , Balliol . Ninth Argive Mv . E . W . Himtiwgfovd , Mevtou . Tenth Argive Mr . P . A . KerNeiv College .

, Eleventh Argive Mr . J , E . Bodd , Balliol . Twelfth Argive Mr . J . T . A . Haines , Balliol . Thirteenth Argive Mr . M . C . Bickersteth , Neiv College . Fourteenth Argive Mr . S . Pickering , Balliol . Fifteenth Argive Mr . T . E . Walrcrad , Balliol . Chorodidaskalos Mr . A . Bradley , Balliol . Composer of Music Mr . AV . Parratt , Magdalen .

COMMITTEE . Mr . AY . N . Bruce , Balliol . . I Mr . W . L . Courtney , NBAV College . . Mr . C . Lowi-y , C . C . C . | Mr . M . C . Bickersteth , New College . Manager—Mr . F . R . Benson , NBAV College . Architect—Mr . AV . A . S . Benson , Ne-v College . Scene Painters—Messrs . J . E . Eodd , Balliol ; A . J . Uyle , New College . Stage Carpenter—J . Shelton , Little Clarendon Street .

An English translation of the play by Professor Lewis Campbell , of St . Andrew ' s , specially designed for tbe stage , has ( we believe ) been recently performed Avith some success at Edinburgh , one supposed advantage being that tbe parts of Cl ytemnestra and Cassandra could be taken by ladies . This , however , is a sacrifice of historical accuracy ; for none but male actors appeared on the Athenian stage , ancl tbe great size of the theatre ivas probabl y

beyond the range of female voices . For this , and for other reasons , Ave think that the Oxford troupe were quite ri g ht in keeping their presentment as nearl y as they could to the ori g inal b y retaining the original language . In the music for the choral songs there was greater freedom of choice , because so little is known of tbe ancient Greek music ; but the eminent organist of Magdalen ( Mr . Parratt ) , whose assistance ivas invoked , mi ght surely have received a hint

that , of all modern instruments , that which is least likely to be aualagous to anything the Greeks possessed is a p iano . The harp , the reed-pipe , tbe flute , the clarionet , the bugle , or the oboe , have all more or less affinity , so far as AVO can tell , to the instruments mentioned in Greek literature ; but can we conceive a chorus in tbe Theatre of Dionysus being accompanied by a piano ? The effect of this feature in Mr , Parratt ' s otherwise excellent accompaniment was one of

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