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  • The Masonic Magazine
  • Aug. 1, 1880
  • Page 42
  • PERFORMANCE OF THE AGAMEMNON OF AESCHYLUS AT BALLIOL COLLEGE, OXFORD.
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The Masonic Magazine, Aug. 1, 1880: Page 42

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    Article PERFORMANCE OF THE AGAMEMNON OF AESCHYLUS AT BALLIOL COLLEGE, OXFORD. ← Page 4 of 6 →
Page 42

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Performance Of The Agamemnon Of Aeschylus At Balliol College, Oxford.

almost ludicrous incongruity ; as also was the too audible striking of a Inciter match behind the scenes during the Watchman ' s opening speech , just before he sees the beacon fires ; and the fact ( to those who kneiY it ) that a prompter was concealed within the "thymele . " But with these trifling exceptions , the fears that ludicrous rather than jiathetic emotions might be stirred ivere triumphantly refuted ; and it is not too much to say that the performance gave a far

better impression of the grandeur of one of the greatest of dramas than was generally either hoped for or expected . It is an additional tribute ( if such were needed ) to the dramatic force of yEsch yhis ' -conception that the full tragic pathos of tbe story could be realised so keenly , as it evidently was , by persons unacquainted with the language in which it is written . The main outlines of the play are probably more or less familiar to most of

those who haA'e cared to follow us thus far ; but a short account of some events alluded to in the Agamemnon , and anterior to the action described in it , Avill explain some of the motives of that action . We quote from a paper circulated among tbe audience , and drawn up ( we understand ) by Mr . A . Bradley , Eelloiv of Balliol : —

Atreus , King of Argos , expelled from the city his brother and rival Thyestes , together Avith Thyestes' son iEgisthus . Thyestes , returning as a suppliant , ivas received by Atreus , who prepared for him a banquet , at which the flesh of his own children ivas served to him . Thyestes , discovering Avhat he had unwittingly done , invoked a curse upon the ivhole house of Atreus . Agamemnon , son of Atreus , succeeded him as king , and married Clytemnestra . There iveveborn to them a son , Orestes , and a daughter , Iphegeneia . Helen , the Avife of Menelaus , brother to Agamemnon , fled with Paris the Trojan to Troy ;

and Agamemnon was chosen chief of the Greek host which sailed against Troy . The fleet ivas becalmed at Aulis through the anger of Artemis ; and Agamemnon , at the instance of Calchas , the soothsayer , sacrificed his daughter Iphegeneia to appease the goddess . Through this act , which the Chorus ascribes to an impious frenzy , Agamemnon deepened the curse already resting on his house , and roused the hatred of Clytemnestra . The Trojan Avar lasted ten years ; and , during the absence of Agamemnon , iEgesthus , who had returned to Argos , won the love of Clytemnestra . Agamemnon is , of course , ignorant of it .

The play opens at the date of the fall of Troy . The scene is the front of the palace at Argos . Agamemnon had promised that the taking of Troy should be made known to Clytemnestra by the lighting of a succession of beacon-fires , the last of ivhich Avill be . visible to a watchman on the roof of the palace .

The scene , painted by two undergraduates with the advice and assistance of Professor W . B . Richmond , ivas a simple bnt very effective representation of a Greek front , with a central and two side entrances concealed by curtains . Immediately in front of this was the raised portion of tbe stage , on which tbe principal actors stood ; while below this again , but above the floor of the ball , ivas a wider space , representing the " orchestra , " with the "thymele " in the centreappropriately adorned Avith a figure of Dionysus seated on a tiger . This

, space was occupied throughout by the Chorus . On tbe pediment of the palace , above tbe main entrance , ivas the figure of Apollo in bis chariot , which afterwards attracts the attention of Cassandra . This figure was the work of Professor Richmond .

At about a quarter-past eight the buzz of conversation among the expectant audience ivas stilled by the sudden appearance of the Watchman passing across the stage , and then ascending the roof to watch for the beacon fire . A sudden gloAY reveals it , and with a shout he descends to tell Cly temnestra , passing off the stage with a mysterious allusion to evils in the bouse . Then from the tAvo side-doors the chorus of Argive Elders enters and range themselves in two bands on either side of the thymele , chanting to a monotonous cadence the opening twenty lines of tbe first choral ode . The remainder of tbe long ode ( vv . 60—263 ) was distributed among individual members of the Chorus , of whom Ave may say once for all that their careful knowledge of their

“The Masonic Magazine: 1880-08-01, Page 42” Masonic Periodicals Online, Library and Museum of Freemasonry, 25 May 2025, django:8000/periodicals/mmg/issues/mmg_01081880/page/42/.
  • List
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Title Category Page
WHAT WAS THE HERMETIC SOCIETY OF 1721 ? Article 1
A LECTURE ON THE ANTIQUITY OF LAYING CORNER STONES WITH RELIGIOUS AND MYSTICAL CEREMONIES. Article 3
WHAT'S IN A SIGN ? Article 7
WAITING: THE POET'S GUERDON. Article 9
OLD RECORDS OF THE LODGE OF PEEBLES. Article 10
THE QUARTERLY COMMUNICATIONS. Article 12
THE ASTROLOGY OF SHAKESPEARE. Article 14
CAMOENS: POET AND WARRIOR. Article 17
THE BEAUTIFUL STONE OF THE MASONIC ARCH. Article 20
THE ANCIENT MYSTERIES. Article 21
LODGE HISTORIES. Article 25
SONNET ON THE LATE LEARNED JOHN OXLEE. Article 29
THE LIVERY COMPANIES AND ART TREASURES. Article 30
"ARS QUATUOR CORONATORUM." Article 33
IN THE LONG RUN. Article 36
LITERARY AND ANTIQUARIAN GOSSIP. Article 36
PERFORMANCE OF THE AGAMEMNON OF AESCHYLUS AT BALLIOL COLLEGE, OXFORD. Article 39
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Performance Of The Agamemnon Of Aeschylus At Balliol College, Oxford.

almost ludicrous incongruity ; as also was the too audible striking of a Inciter match behind the scenes during the Watchman ' s opening speech , just before he sees the beacon fires ; and the fact ( to those who kneiY it ) that a prompter was concealed within the "thymele . " But with these trifling exceptions , the fears that ludicrous rather than jiathetic emotions might be stirred ivere triumphantly refuted ; and it is not too much to say that the performance gave a far

better impression of the grandeur of one of the greatest of dramas than was generally either hoped for or expected . It is an additional tribute ( if such were needed ) to the dramatic force of yEsch yhis ' -conception that the full tragic pathos of tbe story could be realised so keenly , as it evidently was , by persons unacquainted with the language in which it is written . The main outlines of the play are probably more or less familiar to most of

those who haA'e cared to follow us thus far ; but a short account of some events alluded to in the Agamemnon , and anterior to the action described in it , Avill explain some of the motives of that action . We quote from a paper circulated among tbe audience , and drawn up ( we understand ) by Mr . A . Bradley , Eelloiv of Balliol : —

Atreus , King of Argos , expelled from the city his brother and rival Thyestes , together Avith Thyestes' son iEgisthus . Thyestes , returning as a suppliant , ivas received by Atreus , who prepared for him a banquet , at which the flesh of his own children ivas served to him . Thyestes , discovering Avhat he had unwittingly done , invoked a curse upon the ivhole house of Atreus . Agamemnon , son of Atreus , succeeded him as king , and married Clytemnestra . There iveveborn to them a son , Orestes , and a daughter , Iphegeneia . Helen , the Avife of Menelaus , brother to Agamemnon , fled with Paris the Trojan to Troy ;

and Agamemnon was chosen chief of the Greek host which sailed against Troy . The fleet ivas becalmed at Aulis through the anger of Artemis ; and Agamemnon , at the instance of Calchas , the soothsayer , sacrificed his daughter Iphegeneia to appease the goddess . Through this act , which the Chorus ascribes to an impious frenzy , Agamemnon deepened the curse already resting on his house , and roused the hatred of Clytemnestra . The Trojan Avar lasted ten years ; and , during the absence of Agamemnon , iEgesthus , who had returned to Argos , won the love of Clytemnestra . Agamemnon is , of course , ignorant of it .

The play opens at the date of the fall of Troy . The scene is the front of the palace at Argos . Agamemnon had promised that the taking of Troy should be made known to Clytemnestra by the lighting of a succession of beacon-fires , the last of ivhich Avill be . visible to a watchman on the roof of the palace .

The scene , painted by two undergraduates with the advice and assistance of Professor W . B . Richmond , ivas a simple bnt very effective representation of a Greek front , with a central and two side entrances concealed by curtains . Immediately in front of this was the raised portion of tbe stage , on which tbe principal actors stood ; while below this again , but above the floor of the ball , ivas a wider space , representing the " orchestra , " with the "thymele " in the centreappropriately adorned Avith a figure of Dionysus seated on a tiger . This

, space was occupied throughout by the Chorus . On tbe pediment of the palace , above tbe main entrance , ivas the figure of Apollo in bis chariot , which afterwards attracts the attention of Cassandra . This figure was the work of Professor Richmond .

At about a quarter-past eight the buzz of conversation among the expectant audience ivas stilled by the sudden appearance of the Watchman passing across the stage , and then ascending the roof to watch for the beacon fire . A sudden gloAY reveals it , and with a shout he descends to tell Cly temnestra , passing off the stage with a mysterious allusion to evils in the bouse . Then from the tAvo side-doors the chorus of Argive Elders enters and range themselves in two bands on either side of the thymele , chanting to a monotonous cadence the opening twenty lines of tbe first choral ode . The remainder of tbe long ode ( vv . 60—263 ) was distributed among individual members of the Chorus , of whom Ave may say once for all that their careful knowledge of their

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