Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Masonic Magazine
  • Aug. 1, 1880
  • Page 6
  • A LECTURE ON THE ANTIQUITY OF LAYING CORNER STONES WITH RELIGIOUS AND MYSTICAL CEREMONIES.
Current:

The Masonic Magazine, Aug. 1, 1880: Page 6

  • Back to The Masonic Magazine, Aug. 1, 1880
  • Print image
  • Articles/Ads
    Article A LECTURE ON THE ANTIQUITY OF LAYING CORNER STONES WITH RELIGIOUS AND MYSTICAL CEREMONIES. ← Page 4 of 4
Page 6

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

A Lecture On The Antiquity Of Laying Corner Stones With Religious And Mystical Ceremonies.

In Ramses II . time , Am , the king ' s son of Knsh , was the directing architect . In Ramses Miammun ' s time ( 1133 B . C . ) an inscription on the Temple of Soti ( vol . ii ., p . 35 ) , the king speaks to the chamberlain at his side , " Speak , that there may be assembled the princes , the favourites of the king , the commanders of the body-guards as tbey are , the architects according to their numbers , ancl

the superintendent of the house of the rolls of the books . " This Pharaoh laid the foundation-stone himself . The inscription says : "When this speech from the lips of the princes before their lord was ended , then tbe king commanded , and gave commission to tbe architects , and separated the people of the masons , ancl the stone-cutters Avith the help of the graver , ancl the draughtsmen , and all kinds of artists to build tbe most holy p lace for his father , and to raise up what had fallen to decay in the Necropolis , and in the Temple of bis father , who sojourns among the deceased ones . "

Here there appears to have been very practically a Master s Lodge , or a Grand Lodge of that era , assembled . Further on , we read that this worth y mason and royal master had painted on the entrance of this Temple portraits of sixty of bis sons and fifty-nine of bis daughters . Trul y be intended bis works should live after him . I have finished my citations . The reign of caste in Egypt worked no harm to this royal craftfor it belonged to the priestly ancl governing casteand the

, , road to civil preferment and priestly rank was free to its votaries . It found them on the throne , in the palace , and in tbe workshop , and in tbe Temple of the Great God , Fatah , Chief Architect of the Universe ancl God of Truth . The publication by Mr . Brugsch of the " History of the Pharaoh ' s" from the inscriptions yet extant is the mine Avhence these Egyptian inscriptions are exchisiA'eldrawn .

y To the great value of his labours let me bear a faithful testimony . The light be has incidentally thrown on the organization of Masonry as a Craft , -will , I hope , induce him , out of his intimate acquaintance with the extant inscriptions , painting , papyri , and his mastership of their language , to favour ns with a little more light on the obscure subject from over which he has raised a corner of tbe veil .

My task is performed . The dignity of the organization of Masonry is exposed to you , and tbe broad scope with which it gathered into its fold tbe art of working and building in stone in all its adjunct branches . The li ght of education illumined the ancient craft beyond any other body of men of their age . Geometry , mathematics , its own technology and physics grew up within lodges , AA'here knowledge ancl skill brought promotion and power . The speculative mysteries and metaphysics of a theology which taught the immortalit

y of the soul ancl its responsibility for our good and bad actions was familiar to tbem . Of the Holy Architect of the Universe whom they worshipped they said , " all things came into existence after he existed . " They styled him " the Lord of Truth , " " the Father of beginnings . " Their art , formed into grandeur and perfection by their efforts , was the lamp from which Greek , Assyrian , Roman , ancl Semitic architecture caught

the holy flame . Their instruction formed the artists of civilization who succeeded them on the stage . Over the illustrations I have drawn from the incriptions of these giants of an elder day , I ask the Blue Mason and the Red , and the Grand Master Architect of the symbolic degrees , to stretch the line for themselves . I ask them with square and level to test these relics of the corner stones Freemasons laid thousands of years ago , —the Avork of a craft which was then a royal art both practical ancl speculative , enlightening the infancy of civilization , and say , in the light we follow to-day , AA'betber such work is not still true and trusty .

“The Masonic Magazine: 1880-08-01, Page 6” Masonic Periodicals Online, Library and Museum of Freemasonry, 28 May 2025, django:8000/periodicals/mmg/issues/mmg_01081880/page/6/.
  • List
  • Grid
Title Category Page
WHAT WAS THE HERMETIC SOCIETY OF 1721 ? Article 1
A LECTURE ON THE ANTIQUITY OF LAYING CORNER STONES WITH RELIGIOUS AND MYSTICAL CEREMONIES. Article 3
WHAT'S IN A SIGN ? Article 7
WAITING: THE POET'S GUERDON. Article 9
OLD RECORDS OF THE LODGE OF PEEBLES. Article 10
THE QUARTERLY COMMUNICATIONS. Article 12
THE ASTROLOGY OF SHAKESPEARE. Article 14
CAMOENS: POET AND WARRIOR. Article 17
THE BEAUTIFUL STONE OF THE MASONIC ARCH. Article 20
THE ANCIENT MYSTERIES. Article 21
LODGE HISTORIES. Article 25
SONNET ON THE LATE LEARNED JOHN OXLEE. Article 29
THE LIVERY COMPANIES AND ART TREASURES. Article 30
"ARS QUATUOR CORONATORUM." Article 33
IN THE LONG RUN. Article 36
LITERARY AND ANTIQUARIAN GOSSIP. Article 36
PERFORMANCE OF THE AGAMEMNON OF AESCHYLUS AT BALLIOL COLLEGE, OXFORD. Article 39
Page 1

Page 1

1 Article
Page 2

Page 2

1 Article
Page 3

Page 3

2 Articles
Page 4

Page 4

1 Article
Page 5

Page 5

1 Article
Page 6

Page 6

1 Article
Page 7

Page 7

1 Article
Page 8

Page 8

1 Article
Page 9

Page 9

1 Article
Page 10

Page 10

1 Article
Page 11

Page 11

1 Article
Page 12

Page 12

2 Articles
Page 13

Page 13

1 Article
Page 14

Page 14

2 Articles
Page 15

Page 15

1 Article
Page 16

Page 16

1 Article
Page 17

Page 17

2 Articles
Page 18

Page 18

1 Article
Page 19

Page 19

1 Article
Page 20

Page 20

1 Article
Page 21

Page 21

1 Article
Page 22

Page 22

1 Article
Page 23

Page 23

1 Article
Page 24

Page 24

1 Article
Page 25

Page 25

2 Articles
Page 26

Page 26

1 Article
Page 27

Page 27

1 Article
Page 28

Page 28

1 Article
Page 29

Page 29

2 Articles
Page 30

Page 30

1 Article
Page 31

Page 31

1 Article
Page 32

Page 32

1 Article
Page 33

Page 33

2 Articles
Page 34

Page 34

1 Article
Page 35

Page 35

1 Article
Page 36

Page 36

2 Articles
Page 37

Page 37

1 Article
Page 38

Page 38

1 Article
Page 39

Page 39

1 Article
Page 40

Page 40

1 Article
Page 41

Page 41

1 Article
Page 42

Page 42

1 Article
Page 43

Page 43

1 Article
Page 44

Page 44

1 Article
Page 6

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

A Lecture On The Antiquity Of Laying Corner Stones With Religious And Mystical Ceremonies.

In Ramses II . time , Am , the king ' s son of Knsh , was the directing architect . In Ramses Miammun ' s time ( 1133 B . C . ) an inscription on the Temple of Soti ( vol . ii ., p . 35 ) , the king speaks to the chamberlain at his side , " Speak , that there may be assembled the princes , the favourites of the king , the commanders of the body-guards as tbey are , the architects according to their numbers , ancl

the superintendent of the house of the rolls of the books . " This Pharaoh laid the foundation-stone himself . The inscription says : "When this speech from the lips of the princes before their lord was ended , then tbe king commanded , and gave commission to tbe architects , and separated the people of the masons , ancl the stone-cutters Avith the help of the graver , ancl the draughtsmen , and all kinds of artists to build tbe most holy p lace for his father , and to raise up what had fallen to decay in the Necropolis , and in the Temple of bis father , who sojourns among the deceased ones . "

Here there appears to have been very practically a Master s Lodge , or a Grand Lodge of that era , assembled . Further on , we read that this worth y mason and royal master had painted on the entrance of this Temple portraits of sixty of bis sons and fifty-nine of bis daughters . Trul y be intended bis works should live after him . I have finished my citations . The reign of caste in Egypt worked no harm to this royal craftfor it belonged to the priestly ancl governing casteand the

, , road to civil preferment and priestly rank was free to its votaries . It found them on the throne , in the palace , and in tbe workshop , and in tbe Temple of the Great God , Fatah , Chief Architect of the Universe ancl God of Truth . The publication by Mr . Brugsch of the " History of the Pharaoh ' s" from the inscriptions yet extant is the mine Avhence these Egyptian inscriptions are exchisiA'eldrawn .

y To the great value of his labours let me bear a faithful testimony . The light be has incidentally thrown on the organization of Masonry as a Craft , -will , I hope , induce him , out of his intimate acquaintance with the extant inscriptions , painting , papyri , and his mastership of their language , to favour ns with a little more light on the obscure subject from over which he has raised a corner of tbe veil .

My task is performed . The dignity of the organization of Masonry is exposed to you , and tbe broad scope with which it gathered into its fold tbe art of working and building in stone in all its adjunct branches . The li ght of education illumined the ancient craft beyond any other body of men of their age . Geometry , mathematics , its own technology and physics grew up within lodges , AA'here knowledge ancl skill brought promotion and power . The speculative mysteries and metaphysics of a theology which taught the immortalit

y of the soul ancl its responsibility for our good and bad actions was familiar to tbem . Of the Holy Architect of the Universe whom they worshipped they said , " all things came into existence after he existed . " They styled him " the Lord of Truth , " " the Father of beginnings . " Their art , formed into grandeur and perfection by their efforts , was the lamp from which Greek , Assyrian , Roman , ancl Semitic architecture caught

the holy flame . Their instruction formed the artists of civilization who succeeded them on the stage . Over the illustrations I have drawn from the incriptions of these giants of an elder day , I ask the Blue Mason and the Red , and the Grand Master Architect of the symbolic degrees , to stretch the line for themselves . I ask them with square and level to test these relics of the corner stones Freemasons laid thousands of years ago , —the Avork of a craft which was then a royal art both practical ancl speculative , enlightening the infancy of civilization , and say , in the light we follow to-day , AA'betber such work is not still true and trusty .

  • Prev page
  • 1
  • 5
  • You're on page6
  • 7
  • 44
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy