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  • The Masonic Magazine
  • Sept. 1, 1877
  • Page 22
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The Masonic Magazine, Sept. 1, 1877: Page 22

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    Article Architectural Jottings. ← Page 3 of 3
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    Article MY LORD THE KING; Page 1 of 7 →
Page 22

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Architectural Jottings.

the Blessed Virgin . It was afterwards reconstituted as an abbey . The building comes next to Kelso , as well in date of foundation as iu style of work , so far as its main bulk is concerned . There are , however , two or three Norman arches left in the ruined choirwhich look earlier

, , while the clerestory above them has a later appearance than anything at Kelso . The intervening triforium is of the ordinary Norman type , open to the aisle roof . The nave is distinctly later in style than any part of the original choir , except its Early

English clerestory . Though its aisles are destroyed , its noble proportions and scale remind us of Cathedral churches , some of which it greatly surpasses , being no doubt one of the finest ecclesiastical buildings in Scotland . The style is late Transitional

, quite verging on Early Ijluglish in the clerestory . The piers are clustered , with Transitional volutes and square abaci ; the arches pointed . The triforium arches are

semicircular , each enclosing two pointed sub-arches . The clerestory is occupied by a continuous arcade of lancet arches , forming panels and windows in alternate couples . The west 'front has a fine wide Norman arch , with the central opening unusually narrow in proportion to the

enormously developed mouldings , surmounted by three gablets with empt y niches . Over the door is a single great central semicircular-headed window , and over that a circular window , in which radiating tracery has been inserted at a

later period . In front of the lower window , within the church , is the place from which the choristers sang " All glory , laud , and honour , " on Palm Sunday , while the rest of the procession responded from the outside . In a portion of the south aisle wall

which is yet standing , may be seen the mouldering Norman doorway which led to the east walk of the cloisters , and along the wall runs a row of hooked stone corbels

for the cloister roof . Such , then , are the chief remaining features of the original building . Later additions or rebuildings are these , viz ., the north transept , which is of the Decorated period , but of almost Norman massiveness , though with projecting buttresses ; it is now walled off , and used as a burial place by the Lothian family ; the south aisle of the choir , of similar date ; the central tower and the

Architectural Jottings.

recasmg of the piers and rebuilding of the semicircular arches under it ; here we find carved "Abbas Thomas Cranston , " and "ioh hal . " The tower is without buttresses , and extremely simple in design . It has a perforated parapet of square openings crispedand altogether is almost

, exactly like the tower at Melrose . The ruins , like those of Kelso , stand in the middle of the town , aud have a striking aud imposing effect from a little distance , though the tower at Jedburgh is poor in comparison with the noble remnant of one

at Kelso . Dryburgh is said to be on the site of an Anglo-Saxon establishment , of which St . Modan was the first abbott or bishop , A . D . 522 . This supposition is confirmed by a base of an Anglo-Saxon cross , with the

usual square hole for the shaft , absurdly described as a "font" or "lavatory , " or as ' ¦ Druidical , " and intended to hold sacrificial ashes . The present monastery was founded in A . D . 1150 , for Premonstratensian canons , by Hugh de Morville , Lord

of Lauderdale , or , as some say , by his master , King David I . In 1322 , it was burnt by Edward II . on his return to England , and rebuilt soon after , in a style which in England would indicate a date of at least a century earlier . The dedication was to St . Mary . ( To be continued . )

My Lord The King;

MY LORD THE KING ;

A MERE STORY . BY BRO . EMRA HOLMES , Author of" TheZady Muriel , " Gerard Montagu , " " Waiting for Her , " etc ., etc . CHAPTER I .

INTRO n U CTOR Y . As you leave the village and ajiproach the Low-Light which stands sentinel at the entrance of Barton-le-Bar—a quiet little wateriiig-jilaee in the north of England—yon catch a glimpse of the ancient town of Abbot Wrington , picturesquely situated on a peninsula which juts out into the German Ocean , forming a pretty

“The Masonic Magazine: 1877-09-01, Page 22” Masonic Periodicals Online, Library and Museum of Freemasonry, 24 May 2025, django:8000/periodicals/mmg/issues/mmg_01091877/page/22/.
  • List
  • Grid
Title Category Page
Monthly Masonic Summary. Article 1
SONNET. Article 1
OBJECTS, ADVANTAGES, AND PLEASURES OF SCIENCE. Article 2
THE DEATH OF ALEXANDER. Article 6
DEVONSHIRE LODGES PRIOR TO THE "UNION" OF DEC, 1813. Article 7
THE WORK OF NATURE IN THE MONTHS. Article 10
UPBRAID ME NOT. Article 13
THE ADVENTURES OF DON PASQUALE. Article 14
AN OLD-FASHIONED LOVE-SONG. Article 17
WHAT IS THE GOOD OF FREEMASONRY? Article 18
Architectural Jottings. Article 20
MY LORD THE KING; Article 22
ONLY A ROSE. Article 28
Our Archaeological Corner. Article 29
THE TRYST. Article 31
CONTEMPORARY LETTERS ON THE FRENCH REVOLUTION. Article 32
PROCLAMATION DU ROI, Article 32
ORDRE DE MARCHE. Article 33
PLAN, Article 34
Untitled Article 35
AFTER THE LAST POPULAR SCIENCE LECTURE. Article 36
TOM HOOD. Article 37
THE VISTA OF LIFE. Article 41
Forgotten Stories. Article 44
NOTES ON LITERATURE, SCIENCE AND ART. Article 46
MR. SPRECHELHEIMER'S MISTAKE. Article 49
DOUBLE ACROSTIC. Article 49
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Architectural Jottings.

the Blessed Virgin . It was afterwards reconstituted as an abbey . The building comes next to Kelso , as well in date of foundation as iu style of work , so far as its main bulk is concerned . There are , however , two or three Norman arches left in the ruined choirwhich look earlier

, , while the clerestory above them has a later appearance than anything at Kelso . The intervening triforium is of the ordinary Norman type , open to the aisle roof . The nave is distinctly later in style than any part of the original choir , except its Early

English clerestory . Though its aisles are destroyed , its noble proportions and scale remind us of Cathedral churches , some of which it greatly surpasses , being no doubt one of the finest ecclesiastical buildings in Scotland . The style is late Transitional

, quite verging on Early Ijluglish in the clerestory . The piers are clustered , with Transitional volutes and square abaci ; the arches pointed . The triforium arches are

semicircular , each enclosing two pointed sub-arches . The clerestory is occupied by a continuous arcade of lancet arches , forming panels and windows in alternate couples . The west 'front has a fine wide Norman arch , with the central opening unusually narrow in proportion to the

enormously developed mouldings , surmounted by three gablets with empt y niches . Over the door is a single great central semicircular-headed window , and over that a circular window , in which radiating tracery has been inserted at a

later period . In front of the lower window , within the church , is the place from which the choristers sang " All glory , laud , and honour , " on Palm Sunday , while the rest of the procession responded from the outside . In a portion of the south aisle wall

which is yet standing , may be seen the mouldering Norman doorway which led to the east walk of the cloisters , and along the wall runs a row of hooked stone corbels

for the cloister roof . Such , then , are the chief remaining features of the original building . Later additions or rebuildings are these , viz ., the north transept , which is of the Decorated period , but of almost Norman massiveness , though with projecting buttresses ; it is now walled off , and used as a burial place by the Lothian family ; the south aisle of the choir , of similar date ; the central tower and the

Architectural Jottings.

recasmg of the piers and rebuilding of the semicircular arches under it ; here we find carved "Abbas Thomas Cranston , " and "ioh hal . " The tower is without buttresses , and extremely simple in design . It has a perforated parapet of square openings crispedand altogether is almost

, exactly like the tower at Melrose . The ruins , like those of Kelso , stand in the middle of the town , aud have a striking aud imposing effect from a little distance , though the tower at Jedburgh is poor in comparison with the noble remnant of one

at Kelso . Dryburgh is said to be on the site of an Anglo-Saxon establishment , of which St . Modan was the first abbott or bishop , A . D . 522 . This supposition is confirmed by a base of an Anglo-Saxon cross , with the

usual square hole for the shaft , absurdly described as a "font" or "lavatory , " or as ' ¦ Druidical , " and intended to hold sacrificial ashes . The present monastery was founded in A . D . 1150 , for Premonstratensian canons , by Hugh de Morville , Lord

of Lauderdale , or , as some say , by his master , King David I . In 1322 , it was burnt by Edward II . on his return to England , and rebuilt soon after , in a style which in England would indicate a date of at least a century earlier . The dedication was to St . Mary . ( To be continued . )

My Lord The King;

MY LORD THE KING ;

A MERE STORY . BY BRO . EMRA HOLMES , Author of" TheZady Muriel , " Gerard Montagu , " " Waiting for Her , " etc ., etc . CHAPTER I .

INTRO n U CTOR Y . As you leave the village and ajiproach the Low-Light which stands sentinel at the entrance of Barton-le-Bar—a quiet little wateriiig-jilaee in the north of England—yon catch a glimpse of the ancient town of Abbot Wrington , picturesquely situated on a peninsula which juts out into the German Ocean , forming a pretty

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