Skip to main content
Museum of Freemasonry

Masonic Periodicals Online

  • Explore
  • Advanced Search
  • Home
  • Explore
  • The Masonic Magazine
  • Sept. 1, 1879
  • Page 15
Current:

The Masonic Magazine, Sept. 1, 1879: Page 15

  • Back to The Masonic Magazine, Sept. 1, 1879
  • Print image
  • Articles/Ads
    Article WITHIN THE SHADOW OF THE SHAFT. ← Page 3 of 6 →
Page 15

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Within The Shadow Of The Shaft.

a philosophical corollary as applicable to the state of life they were then presumed to contemplate as to the exploit they immediately proposed to perform . When I was a boy , it appears to me now , that summers were more summery , winters more winterly , and pantomimes more pantomimic than they are at the present time . I have an idea that well-knoAvn familiar scenes AA ere more frequently represented in the harlequinade then than IIOAV . There is

something too drearily abstract in seeing a pair of carpenter ' s flats representino-Mr . Suet , Butcher ; Mr . Cabbage , Greengrocer ; ancl Mr . Lather , Barber ; but there is an enjoyment clelieiously concrete in beholding an accurate representation of—say , the Thames Embankment , or Covent Garden Market , or Monument Yard . If theatrical managers burn Avith anxiety to adopt the hint , and their consciences impel them to a material expression of apjiretiation

, cheques and Post Office orders made payable to theirs truly may be addressed to me , under cover to the editor . Well , in one of the first pantomimes I ever saw , Monument Yard was represented . The clown was a A ery funny man—clowns are never funny now . He was an avowed imitator of Grimalcli—ancl that veteran was even then alive —ancl he sung a song , a verse from Avhich , remembered after a lapse of more

than forty years—for I have never seen it in print—I have taken as one of the texts of this discourse . It was to the tune , well known to our grandfathers called " Madame Fig ' s Gala , " which , again , was the air of the old Irish sono ' , " The night before Larry was stretched , " and in our father ' s time was adopted for" George Barnwell stood at his shop door , A customer hoping- to find , sir ; His apron was tucked up before ,

And the tails of his coat were behind , sir . A young ' ooman came by that way ; ¦ Says she , " George , I ' ve deserted your shop o' lata , But look sharp , young feller , I say , Ancl just tip us two penn ' orth o' chocolate . Ei-fol-lol-de-idity , Ki-fol-lol-de-ido , " etc . * Why'twas only the other evening I heard Lionel Brougbthe best Tony

, , Lumpkin I have ever seen , troll forth the old air , in praise of " The Three Jolly Pigeons , " in the wonderfully perfect reproduction of little Goldy ' s immortal comed y at the Royal Imperial ( late the Aquarium ) theatre . In Eastcheap , " within the shacloAV of the shaft , " dear reader , you shall see the true effigies ancl presentment of the larceny my text records , sculptured , actually carved out of cork , ancl displayed under a glass ease in the shop

window of an artificer in the mystery of bark-cutting , Alas for my burlesque attempt at reproducing my juvenile impression of this work of art in the rough vignette to this chapter . But , please , kindly " piece ont my imperfections with your thoughts " as Chorus implores in Henry V . ; ancl if you feel any curiosity to see how the cork-cutter has treated the ballad , go ancl look for yourself , for , as Maeaulay ' s Roman ballad hath it in downri ght terms : — " And there it stands unto this day , To witness if I lie . "

“The Masonic Magazine: 1879-09-01, Page 15” Masonic Periodicals Online, Library and Museum of Freemasonry, 29 May 2025, django:8000/periodicals/mmg/issues/mmg_01091879/page/15/.
  • List
  • Grid
Title Category Page
THE SECRET DOCTRINE OF THE TEMPLARS. Article 1
OLD LETTERS. Article 5
THE OLD CHARGES OF THE BRITISH FREEMASONS. Article 7
GOD BLESS THE PRINCE OF WALES. Article 12
WITHIN THE SHADOW OF THE SHAFT. Article 13
ROMANTIC EPITAPHS. Article 19
A FEW DAYS ON THE YORKSHIRE MOORS. Article 23
BEATRICE. Article 29
NAPOLEON, EUGENE LOUIS: Article 33
THE GOOD MASONRY CAN DO. Article 35
CHARTER OF SCOONE AND PERTH LODGE, A.D. 1658. Article 36
MIND YOUR OWN CONCERNS. Article 39
A LECTURE. Article 40
NOTES ON LITERATURE. SCIENCE, AND ART. Article 44
ADVICE GRATIS. Article 48
Page 1

Page 1

1 Article
Page 2

Page 2

1 Article
Page 3

Page 3

1 Article
Page 4

Page 4

1 Article
Page 5

Page 5

2 Articles
Page 6

Page 6

1 Article
Page 7

Page 7

1 Article
Page 8

Page 8

1 Article
Page 9

Page 9

1 Article
Page 10

Page 10

1 Article
Page 11

Page 11

1 Article
Page 12

Page 12

2 Articles
Page 13

Page 13

1 Article
Page 14

Page 14

1 Article
Page 15

Page 15

1 Article
Page 16

Page 16

1 Article
Page 17

Page 17

1 Article
Page 18

Page 18

1 Article
Page 19

Page 19

1 Article
Page 20

Page 20

1 Article
Page 21

Page 21

1 Article
Page 22

Page 22

1 Article
Page 23

Page 23

2 Articles
Page 24

Page 24

1 Article
Page 25

Page 25

1 Article
Page 26

Page 26

1 Article
Page 27

Page 27

1 Article
Page 28

Page 28

1 Article
Page 29

Page 29

2 Articles
Page 30

Page 30

1 Article
Page 31

Page 31

1 Article
Page 32

Page 32

1 Article
Page 33

Page 33

1 Article
Page 34

Page 34

1 Article
Page 35

Page 35

1 Article
Page 36

Page 36

2 Articles
Page 37

Page 37

1 Article
Page 38

Page 38

1 Article
Page 39

Page 39

1 Article
Page 40

Page 40

1 Article
Page 41

Page 41

1 Article
Page 42

Page 42

1 Article
Page 43

Page 43

1 Article
Page 44

Page 44

1 Article
Page 45

Page 45

1 Article
Page 46

Page 46

1 Article
Page 47

Page 47

1 Article
Page 48

Page 48

2 Articles
Page 15

Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

Within The Shadow Of The Shaft.

a philosophical corollary as applicable to the state of life they were then presumed to contemplate as to the exploit they immediately proposed to perform . When I was a boy , it appears to me now , that summers were more summery , winters more winterly , and pantomimes more pantomimic than they are at the present time . I have an idea that well-knoAvn familiar scenes AA ere more frequently represented in the harlequinade then than IIOAV . There is

something too drearily abstract in seeing a pair of carpenter ' s flats representino-Mr . Suet , Butcher ; Mr . Cabbage , Greengrocer ; ancl Mr . Lather , Barber ; but there is an enjoyment clelieiously concrete in beholding an accurate representation of—say , the Thames Embankment , or Covent Garden Market , or Monument Yard . If theatrical managers burn Avith anxiety to adopt the hint , and their consciences impel them to a material expression of apjiretiation

, cheques and Post Office orders made payable to theirs truly may be addressed to me , under cover to the editor . Well , in one of the first pantomimes I ever saw , Monument Yard was represented . The clown was a A ery funny man—clowns are never funny now . He was an avowed imitator of Grimalcli—ancl that veteran was even then alive —ancl he sung a song , a verse from Avhich , remembered after a lapse of more

than forty years—for I have never seen it in print—I have taken as one of the texts of this discourse . It was to the tune , well known to our grandfathers called " Madame Fig ' s Gala , " which , again , was the air of the old Irish sono ' , " The night before Larry was stretched , " and in our father ' s time was adopted for" George Barnwell stood at his shop door , A customer hoping- to find , sir ; His apron was tucked up before ,

And the tails of his coat were behind , sir . A young ' ooman came by that way ; ¦ Says she , " George , I ' ve deserted your shop o' lata , But look sharp , young feller , I say , Ancl just tip us two penn ' orth o' chocolate . Ei-fol-lol-de-idity , Ki-fol-lol-de-ido , " etc . * Why'twas only the other evening I heard Lionel Brougbthe best Tony

, , Lumpkin I have ever seen , troll forth the old air , in praise of " The Three Jolly Pigeons , " in the wonderfully perfect reproduction of little Goldy ' s immortal comed y at the Royal Imperial ( late the Aquarium ) theatre . In Eastcheap , " within the shacloAV of the shaft , " dear reader , you shall see the true effigies ancl presentment of the larceny my text records , sculptured , actually carved out of cork , ancl displayed under a glass ease in the shop

window of an artificer in the mystery of bark-cutting , Alas for my burlesque attempt at reproducing my juvenile impression of this work of art in the rough vignette to this chapter . But , please , kindly " piece ont my imperfections with your thoughts " as Chorus implores in Henry V . ; ancl if you feel any curiosity to see how the cork-cutter has treated the ballad , go ancl look for yourself , for , as Maeaulay ' s Roman ballad hath it in downri ght terms : — " And there it stands unto this day , To witness if I lie . "

  • Prev page
  • 1
  • 14
  • You're on page15
  • 16
  • 48
  • Next page
  • Accredited Museum Designated Outstanding Collection
  • LIBRARY AND MUSEUM CHARITABLE TRUST OF THE UNITED GRAND LODGE OF ENGLAND REGISTERED CHARITY NUMBER 1058497 / ALL RIGHTS RESERVED © 2025

  • Accessibility statement

  • Designed, developed, and maintained by King's Digital Lab

We use cookies to track usage and preferences.

Privacy & cookie policy