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  • The Masonic Magazine
  • Nov. 1, 1875
  • Page 22
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The Masonic Magazine, Nov. 1, 1875: Page 22

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    Article THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. ← Page 5 of 5
    Article THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Page 5 of 5
    Article SHADOWS. Page 1 of 3 →
Page 22

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The Origin And References Of The Hermesian Spurious Freemasonry.

All this proves sufficiently the great care with which they kept their great secrets hidden . They said they received them from father Adam , Sefch and llern _ . es , or Edris ( Enoch ) the triple . " The third class was called Ashrdkiydn ,

or the children of the sister of Hermes , who is known amongst the Greeks by the name of TEIS -U KGISTOS TJIOOSDIOS . This class was intermixed with some strangers aud profane , who found means to get hold of the expressions of their hearts . Their sciences and knowledge are come down to

us . " The fourth class , denominated Mashdwun , walkers or peripatetic philosophers , was formed by the strangers , who found means to mingle with the children and family of Hermes . They were the first who introduced the worship of the stars aud constellations , and who forsook the worship of the God of Gods . From hence came

their divisions ; and everything that has been handed down to us , proceeds originally from these two sects , Ashrdkiydn , eastern , aud Mashdwun , peripatetic philosophers . ' Learn then , 0 reader , the secrets , mysteries and treasuresof the Hieroglyphics , not to be found and not to be discovered

anywhere else . Formerly a knowledge of them could not be acquired but by immense pains and expense , by a great number of years , and a long course of travels ; and now , lo ! these treasures are laid open for thy enjoyment . Take possession of them ,

keep and guard them with the utmost care and secresy . Profoundly learned philosophers , various students only have attained this knowledge . " In Philpot ' s Heraldry , published in 1 C 72 , we find the following exposition of

this figure : — " In the Hieroglyphic Tables ot Cardinal Bembus , so often mentioned by Athaiiasius , Kircherus iu his CEdipus Ooptieus , there is set down the figure of Scaraba _ us , a beetle for the trunk , but with the head aud face of a man , supporting a

little table , with this inscription , OuA . o . About the neck a number of concentric circles to , express the orbs and motions of the heavens ; upon the top of the head , a face of the increasing moon , to intimate her monthly revolutionwithin that

; a cross mark for the four elements weaving together all things ; above a winged globe wreathed about with two serpents . [ This Portion of the anaglyph is wanting in my

The Origin And References Of The Hermesian Spurious Freemasonry.

copy ; but it is , nevertheless , of such importance that I shall devote a chapter to its consideration . ] "The meaning is told you by Barachias Albenephi , in his book of the ancient Egyptian learning ; and in that part of it where he treats of Pharaoh ' s obelisks . He

affirms the winged sphere wreathed about with serpents to be the hieroglyphic of the send and spirit of the 'universe . The human face is understood to be thc Sun and his courses . For the holy beetle , which an old Egyptian durst not tread on , Horus Apollo asserts , it signifies the figure of the world . "

Thus far Philpots . My own ideas respecting the true meaning of the compound figure ; on comparing its several parts with the hieroglyphics on the monuments of Egypt , as explained by modern Egyptian antiquaries , will embrace a more

extensive signification ; and , it is hoped , be more iu unison with the occult design of the Hermesian Freemasonry , of whose hidden , doctrines it was so conspicuous a type . To simplify the elucidation as much as possible , I have considered the several members of

the anaglyph separately ; viz ., the scarabanus , the concentric circles , the globe , serpent and wings , and the tablet or tracing board , which contains three series of symbols ; and have devoted the Second Part to an explanation of their several references . ( To be continued . )

Shadows.

SHADOWS .

I GIVE fair warning to all ivho turn over these pages , that if under the above heading they expect to meet Avith anything in the sensation-hue so common nowa-days , and so fashionable " pour le

moment , " that they had better at once spare themselves a dissatisfying perusal . The very name " Shadows" most fitly will describe the following lucubrations , possibly not even very novel in their treatment , and certainly not very striking iu their "tout

ensemble , " so that those of my readers Avho are looking , as so many profess to do , for novelty or excitement , or sentimentalism , had better skip my "Shadows , " aud pass on to higher topics , and more enduring matter .

“The Masonic Magazine: 1875-11-01, Page 22” Masonic Periodicals Online, Library and Museum of Freemasonry, 25 May 2025, django:8000/periodicals/mmg/issues/mmg_01111875/page/22/.
  • List
  • Grid
Title Category Page
Untitled Article 1
Monthly Masonic Summary. Article 2
RANDOM RECOLLECTIONS OF FOREIGN TRAVEL. Article 3
TO LOIS. Article 7
THE DUVENGER CURSE Article 7
THE BADGE OF INNOCENCE." Article 10
LIGHTS AND SHADOWS OF SCOTTISH FREEMASONRY. Article 14
ODE. Article 16
THE ORIGIN AND REFERENCES OF THE HERMESIAN SPURIOUS FREEMASONRY. Article 18
SHADOWS. Article 22
CONTEMPORARY LETTERS ON THE FRENCH REVOLUTION. Article 24
NARRATIVE OF AN UNRECORDED ARCTIC EXPEDITION. Article 27
Our Archaeological Corner. Article 28
THE ATTACK OF THE CHURCH OF ROME ON FREEMASONS AND FREEMASONRY. Article 29
THE MYSTIC TEMPLE. Article 33
Review. Article 34
NOTES ON LITERATURE, SCIENCE AND ART. Article 35
THE ETRUSCAN LANGUAGE Article 38
SONNET. Article 40
THE FAMILY GHOST. Article 40
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Origin And References Of The Hermesian Spurious Freemasonry.

All this proves sufficiently the great care with which they kept their great secrets hidden . They said they received them from father Adam , Sefch and llern _ . es , or Edris ( Enoch ) the triple . " The third class was called Ashrdkiydn ,

or the children of the sister of Hermes , who is known amongst the Greeks by the name of TEIS -U KGISTOS TJIOOSDIOS . This class was intermixed with some strangers aud profane , who found means to get hold of the expressions of their hearts . Their sciences and knowledge are come down to

us . " The fourth class , denominated Mashdwun , walkers or peripatetic philosophers , was formed by the strangers , who found means to mingle with the children and family of Hermes . They were the first who introduced the worship of the stars aud constellations , and who forsook the worship of the God of Gods . From hence came

their divisions ; and everything that has been handed down to us , proceeds originally from these two sects , Ashrdkiydn , eastern , aud Mashdwun , peripatetic philosophers . ' Learn then , 0 reader , the secrets , mysteries and treasuresof the Hieroglyphics , not to be found and not to be discovered

anywhere else . Formerly a knowledge of them could not be acquired but by immense pains and expense , by a great number of years , and a long course of travels ; and now , lo ! these treasures are laid open for thy enjoyment . Take possession of them ,

keep and guard them with the utmost care and secresy . Profoundly learned philosophers , various students only have attained this knowledge . " In Philpot ' s Heraldry , published in 1 C 72 , we find the following exposition of

this figure : — " In the Hieroglyphic Tables ot Cardinal Bembus , so often mentioned by Athaiiasius , Kircherus iu his CEdipus Ooptieus , there is set down the figure of Scaraba _ us , a beetle for the trunk , but with the head aud face of a man , supporting a

little table , with this inscription , OuA . o . About the neck a number of concentric circles to , express the orbs and motions of the heavens ; upon the top of the head , a face of the increasing moon , to intimate her monthly revolutionwithin that

; a cross mark for the four elements weaving together all things ; above a winged globe wreathed about with two serpents . [ This Portion of the anaglyph is wanting in my

The Origin And References Of The Hermesian Spurious Freemasonry.

copy ; but it is , nevertheless , of such importance that I shall devote a chapter to its consideration . ] "The meaning is told you by Barachias Albenephi , in his book of the ancient Egyptian learning ; and in that part of it where he treats of Pharaoh ' s obelisks . He

affirms the winged sphere wreathed about with serpents to be the hieroglyphic of the send and spirit of the 'universe . The human face is understood to be thc Sun and his courses . For the holy beetle , which an old Egyptian durst not tread on , Horus Apollo asserts , it signifies the figure of the world . "

Thus far Philpots . My own ideas respecting the true meaning of the compound figure ; on comparing its several parts with the hieroglyphics on the monuments of Egypt , as explained by modern Egyptian antiquaries , will embrace a more

extensive signification ; and , it is hoped , be more iu unison with the occult design of the Hermesian Freemasonry , of whose hidden , doctrines it was so conspicuous a type . To simplify the elucidation as much as possible , I have considered the several members of

the anaglyph separately ; viz ., the scarabanus , the concentric circles , the globe , serpent and wings , and the tablet or tracing board , which contains three series of symbols ; and have devoted the Second Part to an explanation of their several references . ( To be continued . )

Shadows.

SHADOWS .

I GIVE fair warning to all ivho turn over these pages , that if under the above heading they expect to meet Avith anything in the sensation-hue so common nowa-days , and so fashionable " pour le

moment , " that they had better at once spare themselves a dissatisfying perusal . The very name " Shadows" most fitly will describe the following lucubrations , possibly not even very novel in their treatment , and certainly not very striking iu their "tout

ensemble , " so that those of my readers Avho are looking , as so many profess to do , for novelty or excitement , or sentimentalism , had better skip my "Shadows , " aud pass on to higher topics , and more enduring matter .

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