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  • The Freemasons' Monthly Magazine
  • Aug. 6, 1859
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  • THE WORK OF IRON, IN NATUREART, AND POLICY.
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The Freemasons' Monthly Magazine, Aug. 6, 1859: Page 6

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    Article THE FAMILY OF THE GUNS. ← Page 3 of 3
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The Family Of The Guns.

less . It scatters a thousand bolts of fire about at any desired point . It Avill root up a tree , knock down a great house , or sink the largest ship at three miles . This -will it do Avith unfailing accuracy , and Avill repeat the deed many times Avithin a given period . Surel y it is therefore a providential laAV which evolves peace and good will , even out of the fears of men , and p laces upon the shoulders of the ambitious the responsibilit y of entering upon Avar .

The Work Of Iron, In Natureart, And Policy.

THE WORK OF IRON , IN NATUREART , AND POLICY .

F 1 J 01 I " THE TWO PATHS , " JiY JOIIX I . USKIKT , M . A . AVHEX I venture to speak about my own special business of art , it is almost always before students of art , among whom I may sometimes permit myself to he chill , if lean fed that lam useful : but a mere talk about art , especially ivithout examples to refer to ( and I have been unable to prepare any careful illustrations for this lecture ) , is seldom of much interest to a general audience .

As 1 was considering what you might best hear with mc in speaking about , there came naturally into my mind a subject connected with the ori gin and present prosperity of the town you live in : and , it seemed to me , in the out-branchings of it , capable of a very general interest . When , long ago ( I am afraid to think how long ) , Tunbriclge AVells Avas my Switzerland , ancl I used to be brought down here in the summer , a sufficiently active child , rejoicing in the '

hope of clambering sandstone cliffsof stupendous hei ght above the common , there used sometimes , as , I suppose , there arc in the lives of all children at the AVells , to be dark clays in my life—clays of condemnation to the pantiles ancl band—under Avhich calamities my only consolation used to be in watching , at every turn in my walk , the welling forth of the spring over the orange rim of its marble basin . The memory of the clear watersparkling its

, over sail roil stain , came back to mc as the strongest image connected Avith the place ; and it struck mc that you mi ght not be unwilling to-ni ght , to think a little over the full significance of that saffron stain , and ofthe power , in other ways and other functions , of the steely clement to which so many here owe returning strength and life;— chief as it lias been always , and is yet more and more markedl y so day by day , among the precious gifts ofthe earth . The subject isof

, course , too wide to be more than suggestively treated ; and even my suggestions must be few , and drawn chiefly from my own fields of work ; ncA-erthclcss , I think I shall have time to indicate sonic courses of thought Avhich you may afterwards follow out for yourselves if they interest you ; and so I will not shrink from the full scope of the subject which I have announced to you—the functions of Iron , in Nature , Art , and Policy . AVithout more preface I will take up the first head .

i . / rim m ivature . —1 ' ou will probably know that the ochrcous stain , which , perhaps , is often thought to spoil the basin of your spring , is iron m a state of rust ; and when you sec rusty iron in other places , you generally think not only that it spoils the places it stains , but that it is spoiled itself—that rusty iron is spoiled iron I or most of our uses it generall y is so ; and because AVC cannot use a rusty knile or razor so well as a polished one , wc suppose it to be defect in iron that it is

a great subject to rust . But not at all On the contrary , the most perfect and useful state of it is that ochrcous stain ; and therefore it is endowed with so ready a disposition to get itself into that state . It is not a fault in the iron but a virtue , to be so fond of getting rusted , for in that condition it fulfils its most important functions in the universe , ancl most kindl y duties to mankind . Nay , in a certain sense , and almost a literal

one , wc may say that iron rusted is living ; but when pure or polished , dead . You all jirobabl y know that in the mixed air ive breathe , the part of it essentiall y needful to ns is called oxyeu ; and that this substance is to all animals , in the most acute sense of the word , " breath of life . " The nervous power of life is a different thing ; but . the supporting clement of the breath , Avithout which the bloodand therefore the lifecannot be nourishedis

, , , this oxygen . Now it is this very same air which the iron breathes Avhen it gets rusty . It takes the oxygen from the atmosphere as eagerly as wc do , though it uses it differently . The iron keeps all that it gets ; Ave , and other animals , part ' with it again ; but the metal absolutel y keeps what it has once received of this aerial gut ; and the ochrcous dust ivhich we so much despise is , in fiict , just so much nobler than ironin far it is iron and the

pure , so as air . Nobler , and more useful—for , indeed , as I shall he able to show you presentl y , the main service of this metal , and of all other metals , tons , is not iu making knives , ancl scissors , and pokers , and pans , but in making the ground wc feed from , and nearly all tiie substances first ncctllul to our existence . For these are all

nothing but metals ancl oxygen—metals with breath put into them . Sand , lime , clay , and the rest ofthe earths—potash ancl soda , and the rest of the alkalies—arc all of them metals which have undergone this , so to speak , vital change , ancl have been rendered lit for the service of man hy permanent unity with the purest air ivhich he himself breathes . There is only one metal which docs not rust readily ; and that , in its influence on man hitherto , has caused

death rather than life ; it will not be put to its right use till it is made a pavement of , and so trodden under foot . Is there not something striking in this fact , considered largely as one oftlic types , or lessons , furnished by the inanimate creation ? Here you have your hard , bright , cold , lifeless metal—good enough for swords and scissors—but not for food . You think , perhaps , that your iron is wonderfully useful in a pure formbut how ivould

, you like the Avorld , if all your meadoAvs , instead of grass , grew nothing but iron ivirc—if all your arable ground , instead of beingmade of sand and clay , were suddenly turned into flat surfaces of steel—if the whole earth , instead of its green and glowing sphere , rich with forest and flower , showed nothing but the image of the vast furnace of a ghastly engine—a globe of black , lifeless , excoriated metal ? It ivould he that—probabl y it was once that ; but

assuredly it ivould be , were it not that all . the substance of which it is made sucks and breathes the brilliancy of the atmosphere ; ancl , as it breathes , softening from its merciless hardness , it falls into fruitful and beneficent dust ; gathering itself again into the earths from ivhich AVC feed ; and the stones with which ive build ; —into the rocks that frame the mountains , and the sands that bind the sea . Hence , it is impossible for yoa to take up the most

insignificant pebble at your feet , ivithout being able to read , if you like , this curious lesson in it . You look upon it at first as if it ivere earth only . Way , it answers , "I am not earth—I am earth and air in one ; part of that blue heaven which you love , and long For , is already in me ; it is all my life—ivithout it . 1 should be nothing , and able for nothing ; I could not minister to you , nor nourish you—I should be a cruel and helpless thing ; but , because there is , according to my need aud place iu creation , a kind of soul in mc , I have become capable of good , and helpful in the circles of i-italitv . "

In these days of swift locomotion I may doubtless assume that most of my audience have been somewhere out of England—have been in Scotland , or France , or Switzerland . Whatever may have been their impression , ou returning to their own country , of its superiority or inferiority in other respects , they cannot but have felt one thing about it—the comfortable look of its towns and villages . Foreign towns arc often very picturesque , very

beautiful , but they never have quite that look of warm self-sufficiency and wholesome quiet with ivhich our villages nestle themselves down among the green fields . Ifyou will take the trouble to examine into the sources of this impression , you will find that by far the greater part of that warm and satisfactory appearance depends upon the rich scarlet colour of the bricks and tiles . It docs not belong to the neat building—a very neat building has an

uncomfortable rather than a comfortable look—but it depends upon the warm building ; our villages arc dressed in red tiles as our old Avomen arc in red cloaks ; ancl it docs not matter how worn the cloaks , or how bent and bowed the roof may be , so long as there arc no holes iu either one or the other , and the sobered but imcxtinguishable colour still glows in the shadow of the hood , ancl burns among the green mosses of the gable . And what do you

suppose dyes your tiles of cottage roof ? You don't paint them . It is nature AVIIO puts all that lovely vermilion into the clay for ) 'ou ; and all that lovcty vermilion is this oxide of iron . Think , therefore , Avl ~" ii your streets of tonus would become—ugly enough , indeed , already , some of them , but still comfortable looking—if instead of that warm brick red , the houses became all pepper-andsalt colour . Fancy your country villages chaiigiiigfrom that homel

y scarlet of theirs ivhich , in its sweet suggestion of laborious peace , is as honourable as the soldiers' scarlet of' laborious battle—suppose all those cottage roofs , I say , turned at once into the colour of unbaked clay , the colour of street gutters in rainy weather . That ' s what they would be , ivithout iron .

There is , however , yet another effect of colour in our English country towns ivhich , perhaps , you may not all yourselves have noticed , but for which you must take the word of a sketcher . They arc not so often merely warm scarlet as they are warm purpic ;—a more beautiful colour still : and they owe this colour to a mingling ivith the vermilion of the deep greyish or purple hue of our line Welsh slates emthe more respectable roofs , made more

blue still by the colour of intervening atmosphere . Ifyou examine one of these AVelsh slates freshly broken , you will find its purple colour clear ancl vivid ; and although never strikingly so after it has been long exposed to weather , it always retains enough of the

“The Freemasons' Monthly Magazine: 1859-08-06, Page 6” Masonic Periodicals Online, Library and Museum of Freemasonry, 11 July 2025, django:8000/periodicals/mmr/issues/mmr_06081859/page/6/.
  • List
  • Grid
Title Category Page
CLASSICAL THEOLOGY. APOLLO AND MAY. Article 1
THE FAMILY OF THE GUNS. Article 4
THE WORK OF IRON, IN NATUREART, AND POLICY. Article 6
Poetry. Article 9
CLEVELAND. Article 9
BONNY MAY. Article 9
OUR ARCHITECTURAL CHAPTER. Article 10
MASONIC NOTES AND QUERIES. Article 11
REVIEWS OF NEW BOOKS. Article 13
THE MASONIC MIRROR. Article 15
METROPOLITAN. Article 15
PROVINCIAL. Article 16
ROYAL ARCH. Article 17
COLONIAL. Article 18
THE WEEK. Article 18
PUBLIC AMUSEMENTS. Article 20
Obituary. Article 20
TO CORRESPONDENTS. Article 20
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software.

The Family Of The Guns.

less . It scatters a thousand bolts of fire about at any desired point . It Avill root up a tree , knock down a great house , or sink the largest ship at three miles . This -will it do Avith unfailing accuracy , and Avill repeat the deed many times Avithin a given period . Surel y it is therefore a providential laAV which evolves peace and good will , even out of the fears of men , and p laces upon the shoulders of the ambitious the responsibilit y of entering upon Avar .

The Work Of Iron, In Natureart, And Policy.

THE WORK OF IRON , IN NATUREART , AND POLICY .

F 1 J 01 I " THE TWO PATHS , " JiY JOIIX I . USKIKT , M . A . AVHEX I venture to speak about my own special business of art , it is almost always before students of art , among whom I may sometimes permit myself to he chill , if lean fed that lam useful : but a mere talk about art , especially ivithout examples to refer to ( and I have been unable to prepare any careful illustrations for this lecture ) , is seldom of much interest to a general audience .

As 1 was considering what you might best hear with mc in speaking about , there came naturally into my mind a subject connected with the ori gin and present prosperity of the town you live in : and , it seemed to me , in the out-branchings of it , capable of a very general interest . When , long ago ( I am afraid to think how long ) , Tunbriclge AVells Avas my Switzerland , ancl I used to be brought down here in the summer , a sufficiently active child , rejoicing in the '

hope of clambering sandstone cliffsof stupendous hei ght above the common , there used sometimes , as , I suppose , there arc in the lives of all children at the AVells , to be dark clays in my life—clays of condemnation to the pantiles ancl band—under Avhich calamities my only consolation used to be in watching , at every turn in my walk , the welling forth of the spring over the orange rim of its marble basin . The memory of the clear watersparkling its

, over sail roil stain , came back to mc as the strongest image connected Avith the place ; and it struck mc that you mi ght not be unwilling to-ni ght , to think a little over the full significance of that saffron stain , and ofthe power , in other ways and other functions , of the steely clement to which so many here owe returning strength and life;— chief as it lias been always , and is yet more and more markedl y so day by day , among the precious gifts ofthe earth . The subject isof

, course , too wide to be more than suggestively treated ; and even my suggestions must be few , and drawn chiefly from my own fields of work ; ncA-erthclcss , I think I shall have time to indicate sonic courses of thought Avhich you may afterwards follow out for yourselves if they interest you ; and so I will not shrink from the full scope of the subject which I have announced to you—the functions of Iron , in Nature , Art , and Policy . AVithout more preface I will take up the first head .

i . / rim m ivature . —1 ' ou will probably know that the ochrcous stain , which , perhaps , is often thought to spoil the basin of your spring , is iron m a state of rust ; and when you sec rusty iron in other places , you generally think not only that it spoils the places it stains , but that it is spoiled itself—that rusty iron is spoiled iron I or most of our uses it generall y is so ; and because AVC cannot use a rusty knile or razor so well as a polished one , wc suppose it to be defect in iron that it is

a great subject to rust . But not at all On the contrary , the most perfect and useful state of it is that ochrcous stain ; and therefore it is endowed with so ready a disposition to get itself into that state . It is not a fault in the iron but a virtue , to be so fond of getting rusted , for in that condition it fulfils its most important functions in the universe , ancl most kindl y duties to mankind . Nay , in a certain sense , and almost a literal

one , wc may say that iron rusted is living ; but when pure or polished , dead . You all jirobabl y know that in the mixed air ive breathe , the part of it essentiall y needful to ns is called oxyeu ; and that this substance is to all animals , in the most acute sense of the word , " breath of life . " The nervous power of life is a different thing ; but . the supporting clement of the breath , Avithout which the bloodand therefore the lifecannot be nourishedis

, , , this oxygen . Now it is this very same air which the iron breathes Avhen it gets rusty . It takes the oxygen from the atmosphere as eagerly as wc do , though it uses it differently . The iron keeps all that it gets ; Ave , and other animals , part ' with it again ; but the metal absolutel y keeps what it has once received of this aerial gut ; and the ochrcous dust ivhich we so much despise is , in fiict , just so much nobler than ironin far it is iron and the

pure , so as air . Nobler , and more useful—for , indeed , as I shall he able to show you presentl y , the main service of this metal , and of all other metals , tons , is not iu making knives , ancl scissors , and pokers , and pans , but in making the ground wc feed from , and nearly all tiie substances first ncctllul to our existence . For these are all

nothing but metals ancl oxygen—metals with breath put into them . Sand , lime , clay , and the rest ofthe earths—potash ancl soda , and the rest of the alkalies—arc all of them metals which have undergone this , so to speak , vital change , ancl have been rendered lit for the service of man hy permanent unity with the purest air ivhich he himself breathes . There is only one metal which docs not rust readily ; and that , in its influence on man hitherto , has caused

death rather than life ; it will not be put to its right use till it is made a pavement of , and so trodden under foot . Is there not something striking in this fact , considered largely as one oftlic types , or lessons , furnished by the inanimate creation ? Here you have your hard , bright , cold , lifeless metal—good enough for swords and scissors—but not for food . You think , perhaps , that your iron is wonderfully useful in a pure formbut how ivould

, you like the Avorld , if all your meadoAvs , instead of grass , grew nothing but iron ivirc—if all your arable ground , instead of beingmade of sand and clay , were suddenly turned into flat surfaces of steel—if the whole earth , instead of its green and glowing sphere , rich with forest and flower , showed nothing but the image of the vast furnace of a ghastly engine—a globe of black , lifeless , excoriated metal ? It ivould he that—probabl y it was once that ; but

assuredly it ivould be , were it not that all . the substance of which it is made sucks and breathes the brilliancy of the atmosphere ; ancl , as it breathes , softening from its merciless hardness , it falls into fruitful and beneficent dust ; gathering itself again into the earths from ivhich AVC feed ; and the stones with which ive build ; —into the rocks that frame the mountains , and the sands that bind the sea . Hence , it is impossible for yoa to take up the most

insignificant pebble at your feet , ivithout being able to read , if you like , this curious lesson in it . You look upon it at first as if it ivere earth only . Way , it answers , "I am not earth—I am earth and air in one ; part of that blue heaven which you love , and long For , is already in me ; it is all my life—ivithout it . 1 should be nothing , and able for nothing ; I could not minister to you , nor nourish you—I should be a cruel and helpless thing ; but , because there is , according to my need aud place iu creation , a kind of soul in mc , I have become capable of good , and helpful in the circles of i-italitv . "

In these days of swift locomotion I may doubtless assume that most of my audience have been somewhere out of England—have been in Scotland , or France , or Switzerland . Whatever may have been their impression , ou returning to their own country , of its superiority or inferiority in other respects , they cannot but have felt one thing about it—the comfortable look of its towns and villages . Foreign towns arc often very picturesque , very

beautiful , but they never have quite that look of warm self-sufficiency and wholesome quiet with ivhich our villages nestle themselves down among the green fields . Ifyou will take the trouble to examine into the sources of this impression , you will find that by far the greater part of that warm and satisfactory appearance depends upon the rich scarlet colour of the bricks and tiles . It docs not belong to the neat building—a very neat building has an

uncomfortable rather than a comfortable look—but it depends upon the warm building ; our villages arc dressed in red tiles as our old Avomen arc in red cloaks ; ancl it docs not matter how worn the cloaks , or how bent and bowed the roof may be , so long as there arc no holes iu either one or the other , and the sobered but imcxtinguishable colour still glows in the shadow of the hood , ancl burns among the green mosses of the gable . And what do you

suppose dyes your tiles of cottage roof ? You don't paint them . It is nature AVIIO puts all that lovely vermilion into the clay for ) 'ou ; and all that lovcty vermilion is this oxide of iron . Think , therefore , Avl ~" ii your streets of tonus would become—ugly enough , indeed , already , some of them , but still comfortable looking—if instead of that warm brick red , the houses became all pepper-andsalt colour . Fancy your country villages chaiigiiigfrom that homel

y scarlet of theirs ivhich , in its sweet suggestion of laborious peace , is as honourable as the soldiers' scarlet of' laborious battle—suppose all those cottage roofs , I say , turned at once into the colour of unbaked clay , the colour of street gutters in rainy weather . That ' s what they would be , ivithout iron .

There is , however , yet another effect of colour in our English country towns ivhich , perhaps , you may not all yourselves have noticed , but for which you must take the word of a sketcher . They arc not so often merely warm scarlet as they are warm purpic ;—a more beautiful colour still : and they owe this colour to a mingling ivith the vermilion of the deep greyish or purple hue of our line Welsh slates emthe more respectable roofs , made more

blue still by the colour of intervening atmosphere . Ifyou examine one of these AVelsh slates freshly broken , you will find its purple colour clear ancl vivid ; and although never strikingly so after it has been long exposed to weather , it always retains enough of the

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